• Monochrome V by Peter Schickele Chamber Music - Sheet Music
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Monochrome V For Eight Flutes by Peter Schickele Chamber Music - Sheet Music

By Peter Schickele

In 1959 Peter Schickele composed a flute octet for Albert Tipton’s students at Aspen; long before the medium of flute ensemble became a growing genre, Schickele prophetically explored the colors of 8 flutes together, and in places developed textures anticipating later developments toward minimalism; Philip Glass was one of the flutists in the ensemble premiering MONOCHROME I. After several more works in this series for other instruments, in 1982 Schickele composed MONOCHROME V for the same instrumentation, a much longer work with more developed exploration of minimalist counterpoint and its relationship to J.S. Bach. Both works are fascinating to hear and play!

Print edition
$56.00
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Quantity
1
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Details

Summary
Instrument:
Flute
Ensembles:
Chamber Music
Genres:
Classical
Composers:
Peter Schickele
Publishers:
Theodore Presser Company
UPC:
680160036998
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Artist:
Peter Schickele
Usages:
School and Community
Shipping Weight:
0.9 pounds
Detailed Description
Chamber Music Flute(s)

SKU: PR.164001730

For Eight Flutes. Composed by Peter Schickele. This edition: saddle-wire stitch. Sws. Classical. Score and parts. With Standard notation. Duration 0:08:30. Theodore Presser Company #164-00173. Published by Theodore Presser Company (PR.164001730).

UPC: 680160036998.

In 1959 Peter Schickele composed a flute octet for Albert Tipton’s students at Aspen; long before the medium of flute ensemble became a growing genre, Schickele prophetically explored the colors of 8 flutes together, and in places developed textures anticipating later developments toward minimalism; Philip Glass was one of the flutists in the ensemble premiering MONOCHROME I. After several more works in this series for other instruments, in 1982 Schickele composed MONOCHROME V for the same instrumentation, a much longer work with more developed exploration of minimalist counterpoint and its relationship to J.S. Bach. Both works are fascinating to hear and play!

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