• Monochrome I by Peter Schickele Chamber Music - Sheet Music
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Monochrome I For Eight Flutes by Peter Schickele Chamber Music - Sheet Music

By Peter Schickele

In 1959 Peter Schickele composed a flute octet for Albert Tipton’s students at Aspen; long before the medium of flute ensemble became a growing genre, Schickele prophetically explored the colors of 8 flutes together, and in places developed textures anticipating later developments toward minimalism; Philip Glass was one of the flutists in the ensemble premiering MONOCHROME I. After several more works in this series for other instruments, in 1982 Schickele composed MONOCHROME V for the same instrumentation, a much longer work with more developed exploration of minimalist counterpoint and its relationship to J.S. Bach. Both works are fascinating to hear and play!

Print edition
$15.99
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Details

Summary
Instrument:
Flute Piccolo
Ensembles:
Chamber Music
Composers:
Peter Schickele
Publishers:
Theodore Presser Company
UPC:
680160036325
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Artist:
Peter Schickele
Usages:
School and Community
Shipping Weight:
0.25 pounds
Detailed Description
Chamber Music Flute, Flute 1, Flute 2, Flute 3, Flute 4, Piccolo 1, Piccolo 2, Piccolo 3

SKU: PR.164000980

For Eight Flutes. Composed by Peter Schickele. This edition: saddle-wire stitch. Sws. Score and parts. With Standard notation. Theodore Presser Company #164-00098. Published by Theodore Presser Company (PR.164000980).

UPC: 680160036325.

In 1959 Peter Schickele composed a flute octet for Albert Tipton’s students at Aspen; long before the medium of flute ensemble became a growing genre, Schickele prophetically explored the colors of 8 flutes together, and in places developed textures anticipating later developments toward minimalism; Philip Glass was one of the flutists in the ensemble premiering MONOCHROME I. After several more works in this series for other instruments, in 1982 Schickele composed MONOCHROME V for the same instrumentation, a much longer work with more developed exploration of minimalist counterpoint and its relationship to J.S. Bach. Both works are fascinating to hear and play!

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