Miserere in C minor by Johann Christoph Friedrich Bach 4-Part - Sheet Music

By Johann Christoph Friedrich Bach

It was not only the musicians of the 16th and 17th centuries who – for liturgical reasons – regularly presented settings of the penitential psalm 50 (51). Even in later times, composers occasionally cultivated this tradition, for example, the "Bückeburger" Johann Christoph Friedrich Bach with his 12-movement composition dated around 1770 which was only discovered in 1975. Bach’s Miserere, held almost exclusively in flat keys, consists of a balanced alternation of choral and solo sections. One common stylistic feature of all the sections is, in particular, the lavishly used "empfindsam" suspensions and small ornamental notes. As an example of the pre-Classical era, the composition is well suited for programmes featuring fast and penance compositions from several epochs.

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Details

Summary
Instrument:
Choir
Ensembles:
4-Part SATB
Composers:
Johann Christoph Friedrich Bach
Publishers:
Carus Verlag
ISBN:
9790007247881
Format:
Set of Parts
Item types:
Physical
Artist:
Johann Christoph Friedrich Bach
Usages:
School and Community
Size:
8.27 x 11.69 inches
Shipping Weight:
3.09 pounds
Detailed Description
Soli SATB, Coro SATB, 2 Vl, Va, Bc

SKU: CA.3410319

Composed by Johann Christoph Friedrich Bach. Edited by Wolfgang Wiemer. Set of parts. Carus Verlag #CV 34.103/19. Published by Carus Verlag (CA.3410319).

ISBN 9790007247881. 8.27 x 11.69 inches.

It was not only the musicians of the 16th and 17th centuries who – for liturgical reasons – regularly presented settings of the penitential psalm 50 (51). Even in later times, composers occasionally cultivated this tradition, for example, the "Bückeburger" Johann Christoph Friedrich Bach with his 12-movement composition dated around 1770 which was only discovered in 1975. Bach’s Miserere, held almost exclusively in flat keys, consists of a balanced alternation of choral and solo sections. One common stylistic feature of all the sections is, in particular, the lavishly used "empfindsam" suspensions and small ornamental notes. As an example of the pre-Classical era, the composition is well suited for programmes featuring fast and penance compositions from several epochs.

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