• Mass in B-flat major 'Harmoniemesse', Hob.XXII.14 by Franz Joseph Haydn Choir - Sheet Music

Mass in B-flat major 'Harmoniemesse', Hob.XXII.14 by Franz Joseph Haydn Choir - Sheet Music

By Franz Joseph Haydn

Haydn's final mass was given its premiere in Eisenstadt, at the Esterhazy place chapel on September 9th, 1802. The nickname Harmoniemesse derives from the German term for a wind ensemble. In contrast to the Nelsonmesse of 1798, a wind section was available for the orchestra used to accompany the soli and chorus, and the instruments are featured prominently. The work entered the choral repertoire almost immediately and remains a favorite to this day. The score reissued here was first published in the early 20th century by C. F. Peters of Leipzig. The keyboard reduction is adapted from the one originally made for organ by Vincent Novello in the early 1800s.

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Details

Summary
Instrument:
Choir Piano Accompaniment Voice Solo
Ensembles:
Choir
Genres:
Christian Classical Period German Viennese
Composers:
Franz Joseph Haydn
Publishers:
Petrucci Library Press
ISBN:
9781608740642
Format:
Vocal Score
Item types:
Physical
Musical forms:
Mass Anthem
Artist:
Franz Joseph Haydn
Usages:
Mass Hymn Anthems
Size:
8.50 x 11.00 inches
Shipping Weight:
0.47 pounds
Detailed Description
Choir and piano solo voices, chorus, keyboard

SKU: SA.40642

Composed by Franz Joseph Haydn. Edited by Georg Gohler. Arranged by Vincent Novello. This edition: Paperback. Original Works, Transcriptions, Mass, Liturgical. Classical Period; German, Viennese, Sacred/Hymns. Vocal score (Novello/Gohler). Petrucci Library Press #40642. Published by Petrucci Library Press (SA.40642).

ISBN 9781608740642. 8.50 x 11.00 inches.

Haydn's final mass was given its premiere in Eisenstadt, at the Esterhazy place chapel on September 9th, 1802. The nickname Harmoniemesse derives from the German term for a wind ensemble. In contrast to the Nelsonmesse of 1798, a wind section was available for the orchestra used to accompany the soli and chorus, and the instruments are featured prominently. The work entered the choral repertoire almost immediately and remains a favorite to this day. The score reissued here was first published in the early 20th century by C. F. Peters of Leipzig. The keyboard reduction is adapted from the one originally made for organ by Vincent Novello in the early 1800s.

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