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21698951
MADAMINA ('Catalog Aria' from Don Giovanni, Act I)
21698951
21698951

MADAMINA ('Catalog Aria' from Don Giovanni, Act I) by Wolfgang Amadeus Mozart Chamber Orchestra - Digital Sheet Music

By Wolfgang Amadeus Mozart
MADAMINA ('Catalog Aria' from Don Giovanni, Act I) Chamber Orchestra scores gallery preview page 1
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MADAMINA ('Catalog Aria' from Don Giovanni, Act I) by Wolfgang Amadeus Mozart Chamber Orchestra - Digital Sheet Music
MADAMINA ('Catalog Aria' from Don Giovanni, Act I) by Wolfgang Amadeus Mozart Chamber Orchestra - Digital Sheet Music page 2
MADAMINA ('Catalog Aria' from Don Giovanni, Act I) by Wolfgang Amadeus Mozart Chamber Orchestra - Digital Sheet Music page 3
MADAMINA ('Catalog Aria' from Don Giovanni, Act I) by Wolfgang Amadeus Mozart Chamber Orchestra - Digital Sheet Music page 4
MADAMINA ('Catalog Aria' from Don Giovanni, Act I) by Wolfgang Amadeus Mozart Chamber Orchestra - Digital Sheet Music page 5
MADAMINA ('Catalog Aria' from Don Giovanni, Act I) by Wolfgang Amadeus Mozart Chamber Orchestra - Digital Sheet Music page 6
Chamber Orchestra - Level 4 - Digital Download

SKU: A0.601816

Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Film/TV,Instructional,Opera. 83 pages. Flavio Regis Cunha #5314791. Published by Flavio Regis Cunha (A0.601816).

"Madamina, il catalogo è questo" (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.

It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. Sung to a mostly light-hearted tune, it consists of a description and detailed count of his master's numerous conquests.

The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.

Orquestration: 2.2.0.2 - 2.0.0.0 - Str - Solo Bass


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