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Singulis, Binis, Ternis, Quaternisque Vocibus (1627). Composed by Girolamo Frescobaldi. Score Only. Composed 2014. Edizioni Suvini Zerboni #ESZ 01406500. Published by Edizioni Suvini Zerboni (BT.ESZ-01406500).
Within the context of the compositions of Girolamo Frescobaldi (1583-1643) the Liber secundus diversarum modulationum Singulis, Binis, Ternis, Quaternisque vocibus published in Rome in 1627 is of particular interest for several reasons. Firstly, it came down to us through a single copy, published in part-books and lacking the Cantus secundus; secondly it represents a rare example of Frescobaldi’s vocal - and in particular sacred - music printed in a particularly fertileperiod of his activity as a composer. This edition is the 26th volume in the series Monumenti Musicali Italiani published by Suvini Zerboni in collaboration with the Societ Italiana di Musicologia. It is edited by Marco Della Sciucca andMarina Toffetti who first outline the context in which the motets were created and then describe in detail their stylistic characteristics. The editors then illustrate all the difficulties in the apparatus criticus, explaining the criteria adoptedfor the transcription and edition as well as those used for the reconstruction of the missing part. The volume therefore, for the first time, makes available for study and performance also compositions that have survived incomplete and in doingso offers a significant contribution to the rediscovery and furtherance of works till now unduly neglected.
Das Liber secundus diversarum modulationum Singulis, Binis, Ternis, Quaternisque vocibus, 1627 in Rom erschienen, stellt im Kontext der Werke von Girolamo Frescobaldi (1583-1643) eine Sammlung von besonderem Interesse dar. Zum einen weil nur ein einziges Exemplar, das aus Einzelausgaben besteht und in dem das Cantus secundus fehlt, bis heute erhalten geblieben ist. Zum anderen weil es ein seltenes Beispiel für Frescobaldis gesangliches - und besondersreligiöses - Schaffen ist, aus einer Phase, in der er vornehmlich als Orchesterkomponist aktiv war. Die hier vorliegende Ausgabe ist der 26. Band der von Suvini Zerboni in Zusammenarbeit mit der Societ Italiana di Musicologia veröffentlichten Reihe Monumenti Musicali Italiani. Die Herausgeber Marco Della Sciucca und Marina Toffetti ordnendas Liber secundus in den Gesamtzusammenhang von Frescobaldis Werk ein und beschreiben die stilistischen Besonderheiten der Stücke. Der kritische Bericht beleuchtet alle Schwierigkeiten und erläutert die Kriterien, die der Transkription undEdition der erhaltenen Stücke sowie der Rekonstruktion des fehlenden Cantus secundus zu Grunde lagen. Die aufwändig produzierte Reihe Monumenti Musicali Italiani erlaubt es erstmals, auch unvollständig oder fehlerhaft erhaltene Stücke zu studieren und aufzuführen und leistet so einen wichtigen Beitrag zur Wiederentdeckung und Verbreitungvon Werken, die bis dato zu unrecht vernachlässigt wurden.
Singulis, Binis, Ternis, Quaternisque Vocibus (1627). Composed by Girolamo Frescobaldi. Score Only. Composed 2014. Edizioni Suvini Zerboni #ESZ 01406500. Published by Edizioni Suvini Zerboni (BT.ESZ-01406500).
Within the context of the compositions of Girolamo Frescobaldi (1583-1643) the Liber secundus diversarum modulationum Singulis, Binis, Ternis, Quaternisque vocibus published in Rome in 1627 is of particular interest for several reasons. Firstly, it came down to us through a single copy, published in part-books and lacking the Cantus secundus; secondly it represents a rare example of Frescobaldi’s vocal - and in particular sacred - music printed in a particularly fertileperiod of his activity as a composer. This edition is the 26th volume in the series Monumenti Musicali Italiani published by Suvini Zerboni in collaboration with the Societ Italiana di Musicologia. It is edited by Marco Della Sciucca andMarina Toffetti who first outline the context in which the motets were created and then describe in detail their stylistic characteristics. The editors then illustrate all the difficulties in the apparatus criticus, explaining the criteria adoptedfor the transcription and edition as well as those used for the reconstruction of the missing part. The volume therefore, for the first time, makes available for study and performance also compositions that have survived incomplete and in doingso offers a significant contribution to the rediscovery and furtherance of works till now unduly neglected.
Das Liber secundus diversarum modulationum Singulis, Binis, Ternis, Quaternisque vocibus, 1627 in Rom erschienen, stellt im Kontext der Werke von Girolamo Frescobaldi (1583-1643) eine Sammlung von besonderem Interesse dar. Zum einen weil nur ein einziges Exemplar, das aus Einzelausgaben besteht und in dem das Cantus secundus fehlt, bis heute erhalten geblieben ist. Zum anderen weil es ein seltenes Beispiel für Frescobaldis gesangliches - und besondersreligiöses - Schaffen ist, aus einer Phase, in der er vornehmlich als Orchesterkomponist aktiv war. Die hier vorliegende Ausgabe ist der 26. Band der von Suvini Zerboni in Zusammenarbeit mit der Societ Italiana di Musicologia veröffentlichten Reihe Monumenti Musicali Italiani. Die Herausgeber Marco Della Sciucca und Marina Toffetti ordnendas Liber secundus in den Gesamtzusammenhang von Frescobaldis Werk ein und beschreiben die stilistischen Besonderheiten der Stücke. Der kritische Bericht beleuchtet alle Schwierigkeiten und erläutert die Kriterien, die der Transkription undEdition der erhaltenen Stücke sowie der Rekonstruktion des fehlenden Cantus secundus zu Grunde lagen. Die aufwändig produzierte Reihe Monumenti Musicali Italiani erlaubt es erstmals, auch unvollständig oder fehlerhaft erhaltene Stücke zu studieren und aufzuführen und leistet so einen wichtigen Beitrag zur Wiederentdeckung und Verbreitungvon Werken, die bis dato zu unrecht vernachlässigt wurden.
Preview: Liber Secundus Diversarum Modulationum
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