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22536325
Let All the World in Every Corner Sing | Download Edition
22536325
22536325

Let All the World in Every Corner Sing | Download Edition by Calvin Hampton Unison Choir - Digital Sheet Music

By Calvin Hampton
Let All the World in Every Corner Sing | Download Edition Unison Choir scores gallery preview page 1
Let All the World in Every Corner Sing | Download Edition Unison Choir scores gallery preview page 2
Let All the World in Every Corner Sing | Download Edition Unison Choir scores gallery preview page 3
Let All the World in Every Corner Sing | Download Edition Unison Choir scores gallery preview page 4
Let All the World in Every Corner Sing | Download Edition by Calvin Hampton Unison Choir - Digital Sheet Music
Let All the World in Every Corner Sing | Download Edition by Calvin Hampton Unison Choir - Digital Sheet Music page 2
Let All the World in Every Corner Sing | Download Edition by Calvin Hampton Unison Choir - Digital Sheet Music page 3
Let All the World in Every Corner Sing | Download Edition by Calvin Hampton Unison Choir - Digital Sheet Music page 4
Unison voices, 2-part equal voices, 2-part mixed voices, organ accompaniment - Early intermediate - Digital Download

SKU: GX.9672

Composed by Calvin Hampton. Christ the King A, Christ the King B, Christ the King C. Simple Gifts. Tune Name: Macdougall. Sacred. Octavo. 8 pages. GIA Publications - Digital #9672. Published by GIA Publications - Digital (GX.9672).

UPC: 785147967200. English. Text by George Herbert.

Hampton produced a small, but significant body of hymn tunes that expanded the notion of what a hymn
tune and its accompaniment could be. Melodic sequences and an accompaniment cast in trio sonata form were common compositional devices he employed; both are found in the tune MacDOUGALL. is set for two mixed voices (or equal voices, if desired) is taken from e Calvin Hampton Hymnary, G-2339. In the composer’s notes from that collection, Hampton suggests a tempo of quarter note = 76, saying: “the accompaniment can be played by hands alone, omitting the vocal line [found in the keyboard treble clef]. The accompaniment figure could be played on the guitar, piano, or harpsichord.

Listen to the recording and follow along with the score in this preview video:.

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