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Study Score. Composed by Hans Werner Henze. Arranged by Andrew Parrott. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study score. Composed 1984-1985. 44 pages. Duration 17'. Schott Music #ED9116. Published by Schott Music (HL.49032899).
ISBN 9790001125802. UPC: 884088129620. 8.25x11.75x0.151 inches.
Im Jahre 1966 schrieb ich die Musik zu Volker Schlondorffs erstem Film 'Der junge Torless'. Ich dachte mir, der Klang der alten, fruhen Instrumente, die ich wahlte, konnte als Metapher fur das fruhe Unausge-reifte, nahezu kindlich Jugendhafte und Gefahrdete der Protagonisten der Musilschen Novelle verstanden werden. Spater richtete ich einige Stucke aus der Musik fur Streichsextett ein und machte auch eine Streichorchester-Version davon. Im Jahre 1985 fielen mir zufallig die Stimmen der Filmmusik in die Han-de. Die Partitur allerdings schien unauffindbar zu sein. Da ich aber gerne diese Musik den Renaissance-Instrumenten wieder zuganglich machen wollte, stellte ich eine neue Partitur her: Ich brachte die existie-renden Stimmen hinein, fuhlte mich dann aber veranlasst, neue Stimmen dazu zu erfinden und in den al-ten Zusammenhang zu setzen.'.
Study Score. Composed by Hans Werner Henze. Arranged by Andrew Parrott. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study score. Composed 1984-1985. 44 pages. Duration 17'. Schott Music #ED9116. Published by Schott Music (HL.49032899).
ISBN 9790001125802. UPC: 884088129620. 8.25x11.75x0.151 inches.
Im Jahre 1966 schrieb ich die Musik zu Volker Schlondorffs erstem Film 'Der junge Torless'. Ich dachte mir, der Klang der alten, fruhen Instrumente, die ich wahlte, konnte als Metapher fur das fruhe Unausge-reifte, nahezu kindlich Jugendhafte und Gefahrdete der Protagonisten der Musilschen Novelle verstanden werden. Spater richtete ich einige Stucke aus der Musik fur Streichsextett ein und machte auch eine Streichorchester-Version davon. Im Jahre 1985 fielen mir zufallig die Stimmen der Filmmusik in die Han-de. Die Partitur allerdings schien unauffindbar zu sein. Da ich aber gerne diese Musik den Renaissance-Instrumenten wieder zuganglich machen wollte, stellte ich eine neue Partitur her: Ich brachte die existie-renden Stimmen hinein, fuhlte mich dann aber veranlasst, neue Stimmen dazu zu erfinden und in den al-ten Zusammenhang zu setzen.'.
Preview: Kleine Elegien for Old Instruments
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