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Composed by African American Spiritual. Arranged by James DesJardins. Octavo. Choral octavo. With Standard notation. 8 pages. Carl Fischer Music #CM9193. Published by Carl Fischer Music (CF.CM9193).
ISBN 9780825883118. UPC: 798408083113. 6.875 x 10.5 inches. Key: F major. English.
Sop D4-D5, Alto C4-D5. This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! James DesJardins. This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! aJames DesJardins. This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! --James DesJardins. This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts.Though I have found that it is quite brilliant around quarter note = 166, the piece retains itsintegrity through a range of tempo options. Also, the accompaniment is intended as a guideline.Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining thebass line and leaving out some of the suggested right-hand runs, or by improvising entirely newideas to support this exciting gospel style. Enjoy!—James DesJardins.
Composed by African American Spiritual. Arranged by James DesJardins. Octavo. Choral octavo. With Standard notation. 8 pages. Carl Fischer Music #CM9193. Published by Carl Fischer Music (CF.CM9193).
ISBN 9780825883118. UPC: 798408083113. 6.875 x 10.5 inches. Key: F major. English.
Sop D4-D5, Alto C4-D5. This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! James DesJardins. This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! aJames DesJardins. This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! --James DesJardins. This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts.Though I have found that it is quite brilliant around quarter note = 166, the piece retains itsintegrity through a range of tempo options. Also, the accompaniment is intended as a guideline.Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining thebass line and leaving out some of the suggested right-hand runs, or by improvising entirely newideas to support this exciting gospel style. Enjoy!—James DesJardins.
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