• Italian Concerto, French Overture, Four Duets, Goldberg Variations by Johann Sebastian Bach Piano Solo - Sheet Music

Italian Concerto, French Overture, Four Duets, Goldberg Variations Edition Without Fingering by Johann Sebastian Bach Piano Solo - Sheet Music

By Johann Sebastian Bach

The Calvierübung published in four sectons belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I, which appeared in print in 1731, contains the six Partitas; Parts II-IV were issued in 1735, 1739 and 1741/2. These are the parts that form the basis for the compilation that we find in this volume. The Italian Concerto and the French Overture constitute Part II and, in a way, serve as a kind of echo of French and Italian orchestral music of the time, here transposed to the keyboard. The Four Duets are contained in Part III of the Clavierübung, next to important works for the organ; however, since they are conceived for two parts, they are ideal for piano or harpsichord.

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Details

Summary
Instrument:
Piano Solo
Genres:
Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
G. Henle
Series:
Henle Urtext
UPC:
884088405878
ISBN:
9790201811291
EAN:
9790201811291
Format:
Collection / Songbook
Item types:
Physical
Musical forms:
Concerto Variations
Artist:
Johann Sebastian Bach
Usages:
School and Community
Size:
9.25x12.25x0.38 inches
Number of Pages:
18
Shipping Weight:
1.33 pounds
Detailed Description
Piano solo (Piano solo) - Henle Level 4-7

SKU: HL.51481129

Edition Without Fingering. Composed by Johann Sebastian Bach. Edited by Rudolf Steglich. Sheet music. Paperbound. Henle Music Folios. Classical. Softcover. 18 pages. G. Henle #HN1129. Published by G. Henle (HL.51481129).

ISBN 9790201811291. UPC: 884088405878. 9.25x12.25x0.38 inches.

The Calvierübung published in four sectons belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I, which appeared in print in 1731, contains the six Partitas; Parts II-IV were issued in 1735, 1739 and 1741/2. These are the parts that form the basis for the compilation that we find in this volume. The Italian Concerto and the French Overture constitute Part II and, in a way, serve as a kind of echo of French and Italian orchestral music of the time, here transposed to the keyboard. The Four Duets are contained in Part III of the Clavierübung, next to important works for the organ; however, since they are conceived for two parts, they are ideal for piano or harpsichord.

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  • Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
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