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Composed by Lily Afshar. Squareback saddle stitch. Classical. Book. 116 pages. Mel Bay Publications, Inc #30832. Published by Mel Bay Publications, Inc (MB.30832).
ISBN 9781513465388. 8.75 x 11.75 inches.
Intermediate-level guitarists will enjoy playing through this varied collection of pieces, all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included, along with a few anonymous contributions.
Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshar’s previous publication (Beginning Pieces for Classical Guitar), selections like “Carcassi Study #3” and “Sor Studies Nos. 5 and 6” require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit, “Study No. 5” by Fernando Sor has been written out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Visée introduce the student guitarist to Baroque dances and ornamentation.
Composed by Lily Afshar. Squareback saddle stitch. Classical. Book. 116 pages. Mel Bay Publications, Inc #30832. Published by Mel Bay Publications, Inc (MB.30832).
ISBN 9781513465388. 8.75 x 11.75 inches.
Intermediate-level guitarists will enjoy playing through this varied collection of pieces, all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included, along with a few anonymous contributions.
Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshar’s previous publication (Beginning Pieces for Classical Guitar), selections like “Carcassi Study #3” and “Sor Studies Nos. 5 and 6” require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit, “Study No. 5” by Fernando Sor has been written out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Visée introduce the student guitarist to Baroque dances and ornamentation.
Aguado - Study No. 21 In E Minor
Aguado - Lesson No. 2
Anonymous - Romanza (Romance De Amor)
Anonymous - Mi Favorita (Mazurka)
Bach - Gavotte I (Cello Suite No. 6, Bwv 1012)
Bach - Bourra(C)E, Bwv 1002 (From Apartita I For Solo Violina)
Bach - Gavotte Ii (Cello Suite No. 6, Bwv 1012)
Bach - Sarabande (From Apartita I For Solo Violina, Bwv 1002)
Carcassi - Study No. 16, Op. 60
Carcassi - Study No. 3, Op. 60
Carcassi - Study No. 18, Op. 60
Carcassi - Study No. 11, Op. 59
Carcassi - Study No. 21, Op. 60
Carulli - Andante Op. 241, No. 18
De Visa(C)E - Suite In D Minor (9 Movements)
De Visa(C)E - Passacaille
De Visa(C)E - Minuet In E Minor
Dowland - Fantasia
Dowland - Fortune My Foe
Dowland - Melancholy Galliard
Dowland - Queen Elizabethas Galliard
Dowland - Sir John Smithas Almain (Allemande)
Sor - Waltz Op. 32, No. 2
Giuliani - Allegretto Op. 51, No. 15
Johnson - Alman
Le Roy - Bransle De Bourgogne
Mudarra - Fantasia X (Que Contrehaze La Harpa En La Manera De Luduvico From Atres Librosa)
Narva!Ez - Cancia3N Del Emperador
Roncalli - Sarabande In E Minor
Sanz - Pasacalle (Passacaille)
Sanz - Suite Espaa+-Ola (9 Movements)
Sor - Study No. 2 (Op. 35, No. 13, Andante)
Sor - Study No. 6 (Op. 35, No. 17, Moderato)
Sor - Study No. 10 (Op. 31, No. 19, Andante)
Sor - Study No. 5 (Op. 35, No. 22, Allegretto)
Sor - Andante (Op. 35, No. 1)
Ta!Rrega - Adelita (Mazurka)
Weiss - Prelude
Ta!Rrega - Lagrima (Preludio)
Preview: Intermediate Pieces for Classical Guitar
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