I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
20681119
20681119
20681119
I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Cantata for the 3rd Sunday after Epiphany by Johann Sebastian Bach 4-Part - Sheet Music
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Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Full score. Composed 1729. BWV 156. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.156/00. Published by Carus Verlag (CA.3115600).
ISBN 9790007186777. Language: German/English.
Ich steh mit einem Fuss im Grabe ("I stand with my open grave before me") BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale.
Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Full score. Composed 1729. BWV 156. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.156/00. Published by Carus Verlag (CA.3115600).
ISBN 9790007186777. Language: German/English.
Ich steh mit einem Fuss im Grabe ("I stand with my open grave before me") BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale.
Preview: I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
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