Order two or more copies of the same title and we'll automatically give you 5% off list price on that title.
To get 2+ Pricing , just add two or more copies of a title to your shopping cart. Your discount will be immediately applied to your order.
Sale titles, hymnals, and ShowKits (MTI's Broadway Junior Collection, Getting to Know... Collection (G2K) and MTI's Kids Collection) do not qualify for 2+ Pricing
If you have any questions or comments regarding 2+ Pricing , please feel free to email us at info@sheetmusicplus.com
In September 2016 I had the honour of teaching and giving a recital at the EMTA (Estonian Academy of Music and Theatre) in Tallinn. When I discovered that in this academy the famous Estonian composer Arvo Pärt, an extremely important figure in the history of twentieth century music, had studied, I made a request to some of my composer friends. This was to write some short pieces "for" Arvo Pärt. The reply was immediate, thus I was able to have the satisfaction of performing for the first time the following four short pieces in the recital which I gave at the EMTA on September 28, 2016. In these pieces the reference to features of Arvo Pärt’s style of writing appears to me to be quite evident, even though only one of them uses a composition of his as a starting point: the Magnificat quoted in Ostinato by Marco Reghezza. Paolo Ugoletti, by playing on the assonance "Pärt"-"Parts", has written a dense and expressive three-part counterpoint. His pupil, Andrea Vezzoli, has created an evocative concert piece over a ground bass of five notes with a refined Pärt-like metric and contrapuntal treatment, while the sweet Lullaby by Alessandro Spazzoli, a composer who has for a long time studied Arvo Pärt’s style, is, in my view, one of the most "Pärt-like" pieces. (Piero Bonaguri).
In September 2016 I had the honour of teaching and giving a recital at the EMTA (Estonian Academy of Music and Theatre) in Tallinn. When I discovered that in this academy the famous Estonian composer Arvo Pärt, an extremely important figure in the history of twentieth century music, had studied, I made a request to some of my composer friends. This was to write some short pieces "for" Arvo Pärt. The reply was immediate, thus I was able to have the satisfaction of performing for the first time the following four short pieces in the recital which I gave at the EMTA on September 28, 2016. In these pieces the reference to features of Arvo Pärt’s style of writing appears to me to be quite evident, even though only one of them uses a composition of his as a starting point: the Magnificat quoted in Ostinato by Marco Reghezza. Paolo Ugoletti, by playing on the assonance "Pärt"-"Parts", has written a dense and expressive three-part counterpoint. His pupil, Andrea Vezzoli, has created an evocative concert piece over a ground bass of five notes with a refined Pärt-like metric and contrapuntal treatment, while the sweet Lullaby by Alessandro Spazzoli, a composer who has for a long time studied Arvo Pärt’s style, is, in my view, one of the most "Pärt-like" pieces. (Piero Bonaguri).
Preview: Homage to Arvo Pärt. An Anthology of Contemporary Music for Guitar (Reghezza, Spazzoli, Ugoletti, Vezzoli)
Ratings + Reviews
Review Guidelines
Explain exactly why you liked or disliked the product. Do you like the artist? Is the transcription accurate? Is it a good teaching tool?
Consider writing about your experience and musical tastes. Are you a beginner who started playing last month? Do you usually like this style of music?
Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn't.
Be respectful of artists, readers, and your fellow reviewers. Please do not use inappropriate language, including profanity, vulgarity, or obscenity.
Avoid disclosing contact information (email addresses, phone numbers, etc.), or including URLs, time-sensitive material or alternative ordering information.
We cannot post your review if it violates these guidelines. If you have any suggestions or comments on the guidelines, please email us.
All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto. If you believe that any review contained on our site infringes upon your copyright, please email us.
Tell a friend (or remind yourself) about this product. We'll instantly send an email containing product info and a link to it. You may also enter a personal message.
We do not use or store email addresses from this form for any other purpose than sending your share email.
After purchase, you can download your MP3 from your Sheet Music Plus Digital Library - no software installation is necessary! You can also listen to your MP3 at any time in your Digital Library.
Learn about Smart Music
After purchase, you can download your Smart Music from your Sheet Music Plus Digital Library - no software installation is necessary! You can also download at any time in your Digital Library.
Learn about Digital Video
After purchase you can download your video from your Digital Library. Your video is in XX format and is playable on most pre-installed video players.
This site uses cookies to analyze your use of our products, to assist with promotional and marketing efforts, to analyze our traffic and to provide content from third parties. You consent to our cookies and privacy policy if you continue to use this site. Please see our Privacy Policy for details.
