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Facsimile and transcription. Composed by Dietrich Buxtehude. Edited by Peter Wollny. This edition: facsimile. Hardback. Documenta musicologica. Series II, Volume 37. Facsimile, Score. XWV 36. Baerenreiter Verlag #BVK01958. Published by Baerenreiter Verlag (BA.BVK01958).
ISBN 9783761819586. 12.99 x 9.84 inches.
Dietrich Buxtehude, the organist at St. Mary's in Lubeck, left behind a large body of music but hardly any manuscripts; only five organ tablatures, two short dedicatory canons and the score of a Passion cantata. Now Peter Wollny has identified a previously overlooked autograph Buxtehude manuscript in the Duben Collection of Uppsala University Library: a set of parts for the dialogue cantata"Herr, ich lasse dich nicht". This source also represents the only known set of original performance material for a work by Buxtehude.
Our facsimile edition, in four-color reproduction, is preceded by a brief commentary in German and English in which Peter Wollny discusses notation, textual transmission and performance practice.
Facsimile and transcription. Composed by Dietrich Buxtehude. Edited by Peter Wollny. This edition: facsimile. Hardback. Documenta musicologica. Series II, Volume 37. Facsimile, Score. XWV 36. Baerenreiter Verlag #BVK01958. Published by Baerenreiter Verlag (BA.BVK01958).
ISBN 9783761819586. 12.99 x 9.84 inches.
Dietrich Buxtehude, the organist at St. Mary's in Lubeck, left behind a large body of music but hardly any manuscripts; only five organ tablatures, two short dedicatory canons and the score of a Passion cantata. Now Peter Wollny has identified a previously overlooked autograph Buxtehude manuscript in the Duben Collection of Uppsala University Library: a set of parts for the dialogue cantata"Herr, ich lasse dich nicht". This source also represents the only known set of original performance material for a work by Buxtehude.
Our facsimile edition, in four-color reproduction, is preceded by a brief commentary in German and English in which Peter Wollny discusses notation, textual transmission and performance practice.
Preview: Herr, ich lasse dich nicht BuxWV 36
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