• Hero und Leander by Fanny Hensel Orchestra - Sheet Music
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Hero und Leander by Fanny Hensel Orchestra - Sheet Music

By Fanny Hensel

Fanny Hensel devides the poem in two Recitativos and two Arias. The metaphors within text the give her rich opportunity for musical illustration. At the same time different musical moods are introduced to characterize the changing states of the dramatical process. ,,This work...begins to approach a kind of piece with which Hensel could have had great artistic success....It is a clear indication of her acceptance of herself as a real romantic composer. No longer trying to imitate Bach or Handel, but following her own instincts as to subject, form and vocabulary, Fannys awakening understanding of herself as a composer paralleled Felix's, who finished his most successful cantata (which also happenes to be on a secular theme and employs an original form), 'Die erste Walpurgisnacht' in February of 1832. (Victoria Sirota)First Publication

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Details

Summary
Instrument:
Voice
Ensembles:
Orchestra
Genres:
Romantic Period
Composers:
Fanny Hensel
Publishers:
Furore Verlag
Series:
Women Composers and Arrangers
ISBN:
979-0-50012-332-3
Format:
Score
Item types:
Physical
Artist:
Fanny Hensel
Usages:
School and Community
Shipping Weight:
2.97 pounds
Detailed Description
Voice and orchestra - Level 4

SKU: FV.FUE-5320

Composed by Fanny Hensel. Edited by Elke Mascha Blankenburg. First edition. Orchestra Music. Full score. Composed 1832. Duration 12'. Furore Verlag #FUE 5320. Published by Furore Verlag (FV.FUE-5320).

ISBN 979-0-50012-332-3.

Fanny Hensel devides the poem in two Recitativos and two Arias. The metaphors within text the give her rich opportunity for musical illustration. At the same time different musical moods are introduced to characterize the changing states of the dramatical process. ,,This work...begins to approach a kind of piece with which Hensel could have had great artistic success....It is a clear indication of her acceptance of herself as a real romantic composer. No longer trying to imitate Bach or Handel, but following her own instincts as to subject, form and vocabulary, Fannys awakening understanding of herself as a composer paralleled Felix's, who finished his most successful cantata (which also happenes to be on a secular theme and employs an original form), 'Die erste Walpurgisnacht' in February of 1832. (Victoria Sirota)

First Publication.

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