From Easy to Virtuoso
Accompanying booklet to 'New Clarinet Method'
by Ewald Koch
Clarinet Solo - Sheet Music

Item Number: 6298088
5 out of 5 Customer Rating
$30.95
Order On Demand
  • Ships in 3 to 4 weeks

Taxes/VAT calculated at checkout.

Clarinet and piano

SKU: BR.DV-32141

Accompanying booklet to 'New Clarinet Method'. Composed by Ewald Koch. Edited by Ewald Koch. Solo instruments; stapled. Deutscher Verlag. Music pedagogy. Score. 68 pages. Deutscher Verlag fur Musik #DV 32141. Published by Deutscher Verlag fur Musik (BR.DV-32141).

ISBN 9790200426748. 9 x 12 inches.

New instrumental methods are important, and so is well-conceived practice material. Already in Book I (DV 32140), From Easy to Virtuoso shows that students can intensify their work with Ewald Koch's New Clarinet Method through appropriate pieces for clarinet and piano. For his second book, Ewald Koch has put together 16 pieces suitable for home practice as well as public performance. There are original works and competently revised classics. The book harmonizes completely with the second volume of the Koch method (DV 30071), although the pieces can also be played and performed independently of the method. The degree of difficulty of the pieces is delimited by the name of the collection: From Easy to Virtuoso.

de Lachenmann. Une incursion dans l'univers sonore de ,,Serynade in: Esthetique de la sonorite. L'heritage de Debussy dans la musique pour piano du XXe siecle Paris: L'Harmattan 2009 S. 291-384
Hodges Nicolas (in conversation with Tom Service): Expressivity and Critique in Lachenmann's Serynade in: Helmut Lachenmann - Music with matches hrsg. von Dan Albertson Contemporary Music Review 24 (2005) Vol. 1 p. 77-88
Huppe Eberhard: Topographie der asthetischen Neugierde. Versuch uber Helmut Lachenmann in: Nachgedachte Musik. Studien zum Werk von Helmut Lachenmann hrsg. von Jorn Peter Hiekel und Siegfried Mauser Saarbrucken: Pfau 2005 S. 85-104
Pace Ian: Lachenmann's Serynade - Issues for Performer and Listener hrsg. von Dan Albertson Contemporary Music Review 24 (2005) Vol. 1 p. 101-112