• For the righteous light is sown by Johann Sebastian Bach 4-Part - Sheet Music

For the righteous light is sown Wedding cantata by Johann Sebastian Bach 4-Part - Sheet Music

By Johann Sebastian Bach

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement ("Nun danket all and bringet Ehr"/ "Now thank we all and offer praise") with obbligato horns concludes the cantata as the second part "after the consummation". Score available separately - see item CA.3119500

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Details

Summary
Instrument:
Choir Flute Voice
Ensembles:
4-Part SATB Orchestra
Genres:
Christian Baroque Period Wedding
Composers:
Johann Sebastian Bach
Publishers:
Carus Verlag
Series:
Stuttgart Urtext Edition
ISBN:
9790007242404
Format:
Study Score
Item types:
Physical
Musical forms:
Cantata
Artist:
Johann Sebastian Bach
Usages:
Sacred
Size:
DIN A5 inches
Number of Pages:
96
Shipping Weight:
0.43 pounds
Detailed Description
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc (Soli SATB, Coro SATB, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc)

SKU: CA.3119507

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Wedding. Study score. BWV 195. 96 pages. Duration 16 minutes. Carus Verlag #CV 31.195/07. Published by Carus Verlag (CA.3119507).

ISBN 9790007242404. DIN A5 inches. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement ("Nun danket all and bringet Ehr"/ "Now thank we all and offer praise") with obbligato horns concludes the cantata as the second part "after the consummation". Score available separately - see item CA.3119500.

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