Flaming Arrow Full Score and Parts by Larry Clark Concert Band - Sheet Music

By Larry Clark

Flaming Arrow is written for beginning band, and uses only the first six notes learned in most beginning band methods: Bb to G. The piece is cast in C minor; consequently, an alternate trombone part is provided that does not reach out to sixth position. Beginning with mysterious opening material that is used later in the work, the piece then moves to an aggressive up-tempo section with lots of percussion. This is followed by a return of the slow opening material and a gradual accelerando with the sound of tom-toms. The piece ends with a short coda for an energetic conclusion.

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Details

Summary
Instrument:
B-Flat Clarinet Bass Clarinet Snare Drum
Ensembles:
Concert Band
Composers:
Larry Clark
Publishers:
Carl Fischer Music
Series:
Carl Fischer Beginning Performance Series
UPC:
798408064358
ISBN:
9780825864353
Format:
Set of Parts Score and Parts
Item types:
Physical
Level:
Beginning Grade 1
Artist:
Larry Clark
Usages:
School and Community
Main Key:
G minor
Number of Pages:
78
Size:
9 x 12 inches
Shipping Weight:
1.25 pounds
Detailed Description
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bb Euphonium, Bells, Clarinet in Bb, Claves, Crash Cymbals, Euphonium, Flute, Flute 2, Horn in F, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine, Timpani, Tom-tom and more. - Grade 1

SKU: CF.BPS49

Full Score and Parts. Composed by Larry Clark. Folio. Carl Fischer Beginning Performance Series. Score and Set of Parts. With Standard notation. 78 pages. Carl Fischer Music #BPS49. Published by Carl Fischer Music (CF.BPS49).

ISBN 9780825864353. UPC: 798408064358. 9 x 12 inches. Key: G minor.

Flaming Arrow is written for beginning band, and uses only the first six notes learned in most beginning band methods: Bb to G. The piece is cast in C minor; consequently, an alternate trombone part is provided that does not reach out to sixth position. Beginning with mysterious opening material that is used later in the work, the piece then moves to an aggressive up-tempo section with lots of percussion. This is followed by a return of the slow opening material and a gradual accelerando with the sound of tom-toms. The piece ends with a short coda for an energetic conclusion.

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