Order two or more copies of the same title and we'll automatically give you 5% off list price on that title.
To get 2+ Pricing , just add two or more copies of a title to your shopping cart. Your discount will be immediately applied to your order.
Sale titles, hymnals, and ShowKits (MTI's Broadway Junior Collection, Getting to Know... Collection (G2K) and MTI's Kids Collection) do not qualify for 2+ Pricing
If you have any questions or comments regarding 2+ Pricing , please feel free to email us at info@sheetmusicplus.com
Composed by Caroline Charriere. Contemporary. Choir score. Editions BIM #V77-2. Published by Editions BIM (ET.V77-2).
ISBN 9790207003171.
This cycle Femmes de Jérusalem (Women of Jerusalem) has been commissioned by the vocal ensemble DeMusica and its director Marc Bochud for the celebration of the 20ieth anniversary of the ensemble, and was premiered in September 2006 in Freiburg (Switzerland). Marie-Claire Dewarrat has written the texts specially for this occasion. She has chosen these women because they are the greatest “symbol bearers and the most dedicated to provoke contemporary resonances". The cycle includes five pieces: 1. Sarah, “the one who susurrates" She is an angry, embittered woman, desperately disappointet because her husband Abraham preferred his maidservant, but she is also idolising Isaac, her "Angel" of son. The main words of this piece are: "Regarde, vois" (look, see). Sarah is depicting her situation and her heartstrings: anger, bitterness, jealousy, admiration and her fear for her son’s life. This piece is the most difficult one of the cycle. 2. Maria, “the one who remains silent" Marie-Claire Dewarrat perceives Maria as a mute, voiceless woman. In the text, the voice of Maria is alternating with excerpts of latin texts (Ave Maria, Salve Regina, Magnificat, Agnus Dei, etc). I have chosen two modi to express this consternation, this voicelessness and also the fervour and the bright devoutness. In the third verse french and latin languages are combined. 3. Maria of Magdala, “the beckoning one" She is the sister of Lazarus and Martha, a women whose portrait has changed over the centuries. Witness of the life, death and the rising of Jesus, perhaps his companion, later on depicted as a sinner. Marie-Claire Dewarrat describes her as a a pleasure- and love-seeking person. 4. Veronica, “the witnessing one" By reading Marie-Claire Dewarrat,’s text, I saw the Christ carrying his Cross, and I imagined Veronica’s chant as a lullaby. 5. Martha, “the supplicator". For me an enervating personality, constantly foregrounding her work and lack of time. Therefore, I have decided to make her running from the beginning to the end.
Composed by Caroline Charriere. Contemporary. Choir score. Editions BIM #V77-2. Published by Editions BIM (ET.V77-2).
ISBN 9790207003171.
This cycle Femmes de Jérusalem (Women of Jerusalem) has been commissioned by the vocal ensemble DeMusica and its director Marc Bochud for the celebration of the 20ieth anniversary of the ensemble, and was premiered in September 2006 in Freiburg (Switzerland). Marie-Claire Dewarrat has written the texts specially for this occasion. She has chosen these women because they are the greatest “symbol bearers and the most dedicated to provoke contemporary resonances". The cycle includes five pieces: 1. Sarah, “the one who susurrates" She is an angry, embittered woman, desperately disappointet because her husband Abraham preferred his maidservant, but she is also idolising Isaac, her "Angel" of son. The main words of this piece are: "Regarde, vois" (look, see). Sarah is depicting her situation and her heartstrings: anger, bitterness, jealousy, admiration and her fear for her son’s life. This piece is the most difficult one of the cycle. 2. Maria, “the one who remains silent" Marie-Claire Dewarrat perceives Maria as a mute, voiceless woman. In the text, the voice of Maria is alternating with excerpts of latin texts (Ave Maria, Salve Regina, Magnificat, Agnus Dei, etc). I have chosen two modi to express this consternation, this voicelessness and also the fervour and the bright devoutness. In the third verse french and latin languages are combined. 3. Maria of Magdala, “the beckoning one" She is the sister of Lazarus and Martha, a women whose portrait has changed over the centuries. Witness of the life, death and the rising of Jesus, perhaps his companion, later on depicted as a sinner. Marie-Claire Dewarrat describes her as a a pleasure- and love-seeking person. 4. Veronica, “the witnessing one" By reading Marie-Claire Dewarrat,’s text, I saw the Christ carrying his Cross, and I imagined Veronica’s chant as a lullaby. 5. Martha, “the supplicator". For me an enervating personality, constantly foregrounding her work and lack of time. Therefore, I have decided to make her running from the beginning to the end.
Preview: Femmes de Jérusalem - 2. Marie
Ratings + Reviews
Review Guidelines
Explain exactly why you liked or disliked the product. Do you like the artist? Is the transcription accurate? Is it a good teaching tool?
Consider writing about your experience and musical tastes. Are you a beginner who started playing last month? Do you usually like this style of music?
Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn't.
Be respectful of artists, readers, and your fellow reviewers. Please do not use inappropriate language, including profanity, vulgarity, or obscenity.
Avoid disclosing contact information (email addresses, phone numbers, etc.), or including URLs, time-sensitive material or alternative ordering information.
We cannot post your review if it violates these guidelines. If you have any suggestions or comments on the guidelines, please email us.
All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto. If you believe that any review contained on our site infringes upon your copyright, please email us.
Tell a friend (or remind yourself) about this product. We'll instantly send an email containing product info and a link to it. You may also enter a personal message.
We do not use or store email addresses from this form for any other purpose than sending your share email.
After purchase, you can download your MP3 from your Sheet Music Plus Digital Library - no software installation is necessary! You can also listen to your MP3 at any time in your Digital Library.
Learn about Smart Music
After purchase, you can download your Smart Music from your Sheet Music Plus Digital Library - no software installation is necessary! You can also download at any time in your Digital Library.
Learn about Digital Video
After purchase you can download your video from your Digital Library. Your video is in XX format and is playable on most pre-installed video players.
This site uses cookies to analyze your use of our products, to assist with promotional and marketing efforts, to analyze our traffic and to provide content from third parties. You consent to our cookies and privacy policy if you continue to use this site. Please see our Privacy Policy for details.