Exultate Justi by Dan Davison Choir - Sheet Music
By Dan Davison
22367059
Exultate Justi
22367059
22367059
22367059
Details
Choral Piano, baritone voice bass voice, tenor voice
SKU: CF.CM9727
Composed by Dan Davison. Octavo. 12 pages. Duration 2 minutes, 41 seconds. Carl Fischer Music #CM9727. Published by Carl Fischer Music (CF.CM9727).ISBN 9781491161067. UPC: 680160919666. 6.875 x 10.5 inches. Key: Eb major. Latin. Traditional Latin.
Please use NOTES from SA(T)B BL1031 and replace the 2nd paragraph with the following: When a counterpoint section occurs, keep in mind that only one part can be dominant at a time. For example, at letter A, the basses have the lead. However, when the baritones enter two measures later, they will have the spotlight, and the basses must sing softer in order to let the baritones be heard. Two measures later, the basses and the baritones must both take a back seat when the focus shifts to the tenors. The important thing to remember about counterpoint is that the singers must learn the art of "taking turns" being dominant.
Please use NOTES from SA(T)B BL1031 and replace the 2nd paragraph with the following:When a counterpoint section occurs, keep in mind that only one part can be dominant at a time. For example, at letter A, the basses have the lead. However, when the baritones enter two measures later, they will have the spotlight, and the basses must sing softer in order to let the baritones be heard. Two measures later, the basses and the baritones must both take a back seat when the focus shifts to the tenors. The important thing to remember about counterpoint is that the singers must learn the art of “taking turns” being dominant.
Please use NOTES from SA(T)B BL1031 and replace the 2nd paragraph with the following:When a counterpoint section occurs, keep in mind that only one part can be dominant at a time.xa0 For example, at letter A, the basses have the lead.xa0 However, when the baritones enter two measures later, they will have the spotlight, and the basses must sing softer in order to let the baritones be heard.xa0 Two measures later, the basses and the baritones must both take a back seat when the focus shifts to the tenors.xa0 The important thing to remember about counterpoint is that the singers must learn the art of “taking turns” being dominant.
