Etude Fantasy Piano Solo by John Corigliano Piano Method - Sheet Music
By John CoriglianoISBN 9781423438755. UPC: 073999248982. 9.0x12.0x0.089 inches.
Details
Summary
- Instrument:
- Piano Method Piano Solo
- Genres:
- Contemporary
- Composers:
- John Corigliano
- Publishers:
- G. Schirmer
- UPC:
- 073999248982
- ISBN:
- 9781423438755
- Item types:
- Physical
- Instructionals:
- Etudes and Exercises
- Level:
- SMP Level 10 (Advanced) Advanced
- Musical forms:
- Etude
- Artist:
- John Corigliano
- Usages:
- School and Community Sacred
- Size:
- 9.0x12.0x0.089 inches
- Number of Pages:
- 32
- Shipping Weight:
- 0.35 pounds
Detailed Description
SKU: HL.50334950
Piano Solo. Composed by John Corigliano. Piano Solo. Classical, Contemporary, Etude. 32 pages. G. Schirmer #ED3221. Published by G. Schirmer (HL.50334950).ISBN 9781423438755. UPC: 073999248982. 9.0x12.0x0.089 inches.
About SMP Level 10 (Advanced)
Very advanced level, very difficult note reading, frequent time signature changes, virtuosic level technical facility needed.
Song List
Etude No. 1: For the Left Hand Alone
Etude No. 2: Legato
Etude No. 3: Fifths to Thirds
Etude No. 4: Ornaments
Etude No. 5: Melody
Similar Sheet Music & Digital Downloads
- More by this Composer:
- John Corigliano John Corigliano Piano John Corigliano Piano Accompaniment John Corigliano Voice
- Instrument:
- Piano and Keyboard Piano Piano Method Piano and Keyboard Piano Piano Solo
- Artists:
- John Corigliano
- Publisher:
- G. Schirmer
Ratings + Reviews
5 Rating
1 review
Anonymous
Jun 5, 2013
A fine example of solid, intelligent composing, firmly in the middle-of-the-road tradition of post-war piano music; quasi-tonal, but with dissonance as a driving element (the work is based on the derivatives of a minor 2nd). Stylistically, it owes something to Copland and Prokofiev: sinewy, ice-clear and immensely idiomatic textures, with a wonderful feel for sonorities and with immensely exciting rhythmic drive. It makes big technical demands, but nothing which cannot be achieved with steady, disciplined practice and the work sits well. I prepared and played it ten years ago and recently took it up again: everything was still there.For students it makes an ideal choice for a final recital at postgraduate level; for professionals, an ideal choice in programming 20th century music where there needs to be accessibility. In my experience the work goes well even with a conservative audience. Hugely rewarding to play and an absolutely central choice in repertoire.