Eternity, thou thundrous word Cantata for the 1st Sunday after Trinity by Johann Sebastian Bach ATB - Sheet Music

By Johann Sebastian Bach

The cantata O Ewigkeit, o Donnerwort (Eternity, thou thundrous word), BWV 20, for the 1st Sunday after Trinity in 1724, marks the beginning of Bach’s second annual Leipzig cycle, an epoch-making series of works that are generally considered the artistic pinnacle of Protestant cantata-writing. The launch of a new cycle is underscored by the bipartite form and considerable length of the 11-movement cantata. The piece begins with great pomp: The opening chorus in three sections takes the form of a French overture (with chorale chorus). This extended opening chorus with its wealth of text to be mastered is followed by a varied sequence of comparatively short movements, including several highlights of Bach’s œuvre – a musical cornucopia of ideas!

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Details

Summary
Instrument:
Choir Voice Basso Continuo
Ensembles:
ATB 4-Part SATB Mixed Choir
Genres:
Christian Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Carus Verlag
Series:
Stuttgart Urtext Edition
ISBN:
9790007102999
Format:
Vocal Score
Item types:
Physical
Level:
Grade 3
Musical forms:
Cantata
Artist:
Johann Sebastian Bach
Usages:
Sacred
Main Key:
F major
Size:
8.27 x 11.69 inches
Number of Pages:
8
Shipping Weight:
1.5 pounds
Detailed Description
Orchestra ATB vocal soli, SATB choir, 3 oboes, tromba da tirarsi, 2 violins, viola, basso continuo (Soli ATB, Coro SATB, 3 Ob, Tr da tirarsi, 2 Vl, Va, Bc) - Grade 3

SKU: CA.3102005

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, Trinity. Choral score. Composed 1724. BWV 20. 8 pages. Duration 31 minutes. Carus Verlag #CV 31.020/05. Published by Carus Verlag (CA.3102005).

ISBN 9790007102999. 8.27 x 11.69 inches. Key: F major. Language: German/English. Text: Johann Rist.

The cantata O Ewigkeit, o Donnerwort (Eternity, thou thundrous word), BWV 20, for the 1st Sunday after Trinity in 1724, marks the beginning of Bach’s second annual Leipzig cycle, an epoch-making series of works that are generally considered the artistic pinnacle of Protestant cantata-writing. The launch of a new cycle is underscored by the bipartite form and considerable length of the 11-movement cantata. The piece begins with great pomp: The opening chorus in three sections takes the form of a French overture (with chorale chorus). This extended opening chorus with its wealth of text to be mastered is followed by a varied sequence of comparatively short movements, including several highlights of Bach’s œuvre – a musical cornucopia of ideas!

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