Embolden by Sean O'Loughlin Concert Band - Sheet Music
By Sean O'Loughlin
20767084
Embolden
20767084
20767084
20767084
Details
Concert band Bass Clarinet, Bass Drum, Bassoon, Bb Euphonium, Cabasa, Clarinet in Bb, Crash Cymbals, Euphonium, Flute, Flute 2, Horn, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-Tam, Tambourine, Timpani, Triangle, Trombone and more. - Grade 1
SKU: CF.BPS123F
Composed by Sean O'Loughlin. Sws. Beginning Band (BPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #BPS123F. Published by Carl Fischer Music (CF.BPS123F).ISBN 9781491152775. UPC: 680160910274. 9 x 12 inches.
Embolden?is a dramatic work for the developing ensemble that embodies the definition of the word: to give someone courage or confidence. The piece begins with a melody of long, broad strokes. As the melody develops, lots of imitation encourages each section to play independent lines. The piece is a strong choice for the developing band's concert or festival performance.
Embolden is a dramatic work for the developing ensemble that embodies the definition of the word: to give someone courage or confidence. The piece starts with a melody with long, broad strokes. There is plenty of imitation as well to encourage independence of lines. After some development, the piece moves to a contrasting softer section at m. 32. Bring a more legato approach to this section. The broad melody returns at m. 54 in the lower voices with some rhythmic accompaniment by the upper voices. A powerful presentation at m. 61 provides the momentum for a decisive ending.
Embolden is a dramatic work for the developing ensemble that embodies the definition of the word: to give someone courage or confidence. The piece starts with a melody with long, broad strokes. There is plenty of imitation as well to encourage independence of lines. After some development, the piece moves to a contrasting softer section at m. 32. Bring a more legato approach to this section. The broad melody returns at m. 54 in the lower voices with some rhythmic accompaniment by the upper voices. A powerful presentation at m. 61 provides the momentum for a decisive ending.
