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Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Siegfried Petrenz. Chamber music; stapled. Edition Breitkopf. Here is a publication that springs from the spirit of Baroque transcription practice at its best. In our case, it also goes hand in hand with a reconstruction made with scholarly precision. Baroque period. Piano reduction. 58 pages. Duration 18'. Breitkopf and Haertel #EB 8662. Published by Breitkopf and Haertel (BR.EB-8662).
ISBN 9790004180297. 9 x 12 inches.
Here is a publication that springs from the spirit of Baroque transcription practice at its best. In our case, it also goes hand in hand with a reconstruction made with scholarly precision. As to the choice of the key, editor Klaus Hofmann decided against C minor, which the previous generation had preferred, and turned instead to D minor that Max Schneider had chosen back in 1921. The fruit of Siegfried Petrenzs labor is an inspired, transparent "Clavier" reduction (EB 8662) that is amazingly faithful to Baroque practice. Musicians will un doubtedly welcome this arrangement, which boldly transgresses the conven tions of piano scores and presents a "new" work, the "Trio Sonata" in D minor BWV 1060.
Here is a publication that springs from the spirit of Baroque transcription practice at its best. In our case, it also goes hand in hand with a reconstruction made with scholarly precision.
Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Siegfried Petrenz. Chamber music; stapled. Edition Breitkopf. Here is a publication that springs from the spirit of Baroque transcription practice at its best. In our case, it also goes hand in hand with a reconstruction made with scholarly precision. Baroque period. Piano reduction. 58 pages. Duration 18'. Breitkopf and Haertel #EB 8662. Published by Breitkopf and Haertel (BR.EB-8662).
ISBN 9790004180297. 9 x 12 inches.
Here is a publication that springs from the spirit of Baroque transcription practice at its best. In our case, it also goes hand in hand with a reconstruction made with scholarly precision. As to the choice of the key, editor Klaus Hofmann decided against C minor, which the previous generation had preferred, and turned instead to D minor that Max Schneider had chosen back in 1921. The fruit of Siegfried Petrenzs labor is an inspired, transparent "Clavier" reduction (EB 8662) that is amazingly faithful to Baroque practice. Musicians will un doubtedly welcome this arrangement, which boldly transgresses the conven tions of piano scores and presents a "new" work, the "Trio Sonata" in D minor BWV 1060.
Here is a publication that springs from the spirit of Baroque transcription practice at its best. In our case, it also goes hand in hand with a reconstruction made with scholarly precision.
Preview: Double Concerto in D minor reconstructed after BWV 1060
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