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22986580
Die Nonne und der Ritter, Op. 28, No. 1 for Trombone and Bass Trombone (Tuba) and Piano
22986580
22986580

Die Nonne und der Ritter, Op. 28, No. 1 for Trombone and Bass Trombone (Tuba) and Piano by Johannes Brahms Brass Duet - Sheet Music

By Johannes Brahms
Die Nonne und der Ritter, Op. 28, No. 1 for Trombone and Bass Trombone (Tuba) and Piano Brass Duet scores gallery preview page 1
Die Nonne und der Ritter, Op. 28, No. 1 for Trombone and Bass Trombone (Tuba) and Piano Brass Duet scores gallery preview page 2
Die Nonne und der Ritter, Op. 28, No. 1 for Trombone and Bass Trombone (Tuba) and Piano Brass Duet scores gallery preview page 3
Die Nonne und der Ritter, Op. 28, No. 1 for Trombone and Bass Trombone (Tuba) and Piano Brass Duet scores gallery preview page 4
Die Nonne und der Ritter, Op. 28, No. 1 for Trombone and Bass Trombone (Tuba) and Piano by Johannes Brahms Brass Duet - Sheet Music
Die Nonne und der Ritter, Op. 28, No. 1 for Trombone and Bass Trombone (Tuba) and Piano by Johannes Brahms Brass Duet - Sheet Music page 2
Die Nonne und der Ritter, Op. 28, No. 1 for Trombone and Bass Trombone (Tuba) and Piano by Johannes Brahms Brass Duet - Sheet Music page 3
Die Nonne und der Ritter, Op. 28, No. 1 for Trombone and Bass Trombone (Tuba) and Piano by Johannes Brahms Brass Duet - Sheet Music page 4
Trombone & Bass Trombone (Tuba) Duet with Piano accompaniment

SKU: CY.CC3710

Composed by Johannes Brahms. Arranged by Elliot Chasanov. 19th Century German. Solo parts and piano accompaniment. Cherry Classics #CC3710. Published by Cherry Classics (CY.CC3710).

Die Nonne und der Ritter (The Nun and the Knight), Opus 28, No. 1 for Trombone & Bass Trombone (Tuba) with Piano accompaniment by Johannes Brahms was written as part of a four-song set published in 1863 and dedicated to Mrs. Amalie Joachim, a noted German/Austrian contralto. She was the wife of violinist Joseph Joachim and friend to Clara Schumann and Brahms.

The song, beautifully arranged by Elliot Chasanov for Trombone and Bass Trombone (Tuba) with Piano accompaniment, is subdued, haunting and very lyrical. The form is A-B-A with an agitated middle section returning to the mysterious quiet of the beginning.

The almost 6-minute work is appropriate for moderately advanced performers.

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