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Dance Toccata
17641318
17641318

Dance Toccata by Frederick Speck Concert Band - Sheet Music

By Frederick Speck
Dance Toccata Concert Band scores gallery preview page 1
Dance Toccata by Frederick Speck Concert Band - Sheet Music
Concert band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Trombone 3, Euphonium, Tuba, Timpani,) - grade 5

SKU: CN.07941

Composed by Frederick Speck. Arranged by Geoffrey Brand. Score only. Duration 10:10. Published by C. Alan Publications (CN.07941).

Dance Toccata combines continuous rhythmic motion, varied textures and colors, and motives imbued with strong dance-like features in a work that is energetic and bold. Though the underlying current of pulsation is hardly ever interrupted, there are also layers of relaxed, undulating melodic materials suspended above the pulsation to create a contrasting lyricism in the work.

Commissioned by, and dedicated to, Garwood Whaley and the Bishop Ireton Wind Ensemble, Dance Toccata combines continuous rhythmic motion, varied textures and colors, and motives imbued with strong dance-like features in a work that is energetic and bold. Though the underlying current of pulsation is hardly ever interrupted, there are also layers of relaxed, undulating melodic materials suspended above the pulsation to create a contrasting lyricism in the work. The first example of such lyricism is heard in a series of canonic entries featuring solo statements by the oboe, clarinet and alto saxophones. The structure of the work resembles a broad arch with a coda. Just past the midpoint of the work, the lyrical statement returns in the woodwind and brass instruments, providing a brief sense of relaxation, as if the music is winding down from the rhythmic persistence with which it so strongly identifies. Throughout the course of the work, there is a dialogue and an intentional ambiguity between major and minor sonorities, which ultimately becomes more strongly major near the conclusion. As the music presses forward into the coda, layers that remind the listener of all the prominent materials of the work are present. Past this point, the music becomes increasingly extroverted, spirited and joyful as it surges toward release. - Frederick Speck.

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