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For Pianoforte and Orchestra, op. 37. Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 37. Duration 34 minutes. Baerenreiter Verlag #BA09023. Published by Baerenreiter Verlag (BA.BA09023).
ISBN 9790006522996. 12.8 x 10.04 inches. Key: C minor. Language: English/German. Preface: Jonathan Del Mar.
Beethoven’s Piano Concerto No. 3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation, dynamics and pedal markings are for the most part absent. However, Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation, dynamics and notes. In particular, the orchestral parts have been corrected for the first time since Beethoven’s lifetime.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
For Pianoforte and Orchestra, op. 37. Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 37. Duration 34 minutes. Baerenreiter Verlag #BA09023. Published by Baerenreiter Verlag (BA.BA09023).
ISBN 9790006522996. 12.8 x 10.04 inches. Key: C minor. Language: English/German. Preface: Jonathan Del Mar.
Beethoven’s Piano Concerto No. 3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation, dynamics and pedal markings are for the most part absent. However, Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation, dynamics and notes. In particular, the orchestral parts have been corrected for the first time since Beethoven’s lifetime.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Concerto for Pianoforte and Orchestra Nr. 3 C minor op. 37
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