• Blue Silence by Elena Kats-Chernin Clarinet - Sheet Music

Blue Silence by Elena Kats-Chernin Clarinet - Sheet Music

By Elena Kats-Chernin

Composer's note: "This piece (originally for cello and piano) was written for an exhibition devoted to artists suffering schizophrenia in 2006. At the base of the piece is a 4-chord progression, very simple and minimal. A person with schizophrenia hears voices, which can be very disturbing; there is a yearning for silence. I wrote this work so that my son Alex who suffers from the illness can listen to calmness, meditation. It’s called Blue Silence because blue is sometimes associated with healing. In the 2009 arrangement for clarinet, cello and piano, there is a lot of interplay and echo between the single line instruments, i.e. they are not playing a lot together, rather one after the other." Elena Kats-Chernin

Print edition
$19.95
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Details

Summary
Instrument:
Cello Clarinet Piano Accompaniment
Composers:
Elena Kats-Chernin
Publishers:
Bote & Bock
Series:
Women Composers and Arrangers
ISBN:
9783793142898
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Level:
Intermediate
Artist:
Elena Kats-Chernin
Usages:
School and Community
Shipping Weight:
0.83 pounds
Detailed Description
Clarinet, Cello and Piano - intermediate

SKU: BT.BB3592

Composed by Elena Kats-Chernin. Set (Score & Parts). Bote & Bock #BB3592. Published by Bote & Bock (BT.BB3592).

ISBN 9783793142898.

Composer's note: "This piece (originally for cello and piano) was written for an exhibition devoted to artists suffering schizophrenia in 2006. At the base of the piece is a 4-chord progression, very simple and minimal. A person with schizophrenia hears voices, which can be very disturbing; there is a yearning for silence. I wrote this work so that my son Alex who suffers from the illness can listen to calmness, meditation. It’s called Blue Silence because blue is sometimes associated with healing. In the 2009 arrangement for clarinet, cello and piano, there is a lot of interplay and echo between the single line instruments, i.e. they are not playing a lot together, rather one after the other." Elena Kats-Chernin.

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