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Composed by Hidetoshi Takumi. Flexible. Flexible. Score & parts. Bravo Music #FLMS-87114. Published by Bravo Music (BZ.FLMS-87114).
The suite "Between Ebony and Ivory" is a story for young people serialized in the monthly Chopin piano magazine in 2018. At a performance/narrative concert held in September, 2019. Kazuko Nakayama, the author, read the narration, and I performed a stylized piano duo (four hands) composed for the novel. I rearranged the piano duo to a flexible work consisting of three short pieces.
I. Two ghosts and strange dance II. Red Sun Duet III. Fly ☆ Merry-go-round
The three movements may be performed with, or without pause. I have re-orchestrated it to form various performing options, from solo/piano accompaniment to small band. - When performing a flexible quintet and percussion, prioritize in order of part 8, 7, 6 and 9. Observe cue notes (in parenthesis} in part 8. - When performing with five percussionists, do so with parts 6-9 with Marimba performed by two percussionists on part 9. Roll on long notes. Perform thoroughly including cued notes. -Part 9 can also be performed on piano (organ/mallet percussion). It can be used to cover shortages on specific parts. - Part 8 as solo and 9 as piano accompaniment can be performed as a duet. The counterpart in the harmony and tremolo can be omitted. Range can be adjusted by need to feature various solo instruments. (Hidetoshi Takumi).
Composed by Hidetoshi Takumi. Flexible. Flexible. Score & parts. Bravo Music #FLMS-87114. Published by Bravo Music (BZ.FLMS-87114).
The suite "Between Ebony and Ivory" is a story for young people serialized in the monthly Chopin piano magazine in 2018. At a performance/narrative concert held in September, 2019. Kazuko Nakayama, the author, read the narration, and I performed a stylized piano duo (four hands) composed for the novel. I rearranged the piano duo to a flexible work consisting of three short pieces.
I. Two ghosts and strange dance II. Red Sun Duet III. Fly ☆ Merry-go-round
The three movements may be performed with, or without pause. I have re-orchestrated it to form various performing options, from solo/piano accompaniment to small band. - When performing a flexible quintet and percussion, prioritize in order of part 8, 7, 6 and 9. Observe cue notes (in parenthesis} in part 8. - When performing with five percussionists, do so with parts 6-9 with Marimba performed by two percussionists on part 9. Roll on long notes. Perform thoroughly including cued notes. -Part 9 can also be performed on piano (organ/mallet percussion). It can be used to cover shortages on specific parts. - Part 8 as solo and 9 as piano accompaniment can be performed as a duet. The counterpart in the harmony and tremolo can be omitted. Range can be adjusted by need to feature various solo instruments. (Hidetoshi Takumi).
Preview: Between Ebony and Ivory Suite - Flexible Ensemble/Band 5 Parts & Optional Percussion
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