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Armonizzazioni da 4 a 8 voci. Composed by Andrea Avena. Book Only. 324 pages. Sinfonica #SINFJ128. Published by Sinfonica (BT.SINFJ128).
ISBN 9788884003256. Italian.
Armonizzazioni a quattro voci: nota contro nota: quadriadi estratte, blockchords (e il concetto di drop), spread voicings, strutture quartali, clusters, approccio lineare. Approfondimenti sugli accordi diminuiti. Le 3 Voci inferiori a note lunghe ribattute; 2 blocchi di 2 voci ciascuno, melodie alternate e sovrapposizione melodica, 4 voci indipendenti. Armonizzazione a cinque voci, nota contro nota: blockchords a 5, voicings quartali, con clusters, con triadi estratte superiori, scrittura lineare, spread voicings. Le quattro voci inferirori a note lunghe o ribattute, melodie alternate esovrapposizione melodica, 5 voci indipendenti. Armonizzazioni a sei voci, nota contro nota: voicing derivati da blockchords, spread voicings, strutture quartali, con clusters, con triadi estratte superiori. Le 5 voci inferiori a note lunghe o ribattute; melodie alternate e sovrapposizionemelodica, 6 voci indipendendeti. Armonizzazione a sette voci, nota contro nota: con triadi estratte superiori, spread voicings. Le 6 voci inferiori a note lunghe o ribattute; melodie alternate e sovrapposizione melodica, 7 voci indipendenti. Esempi di scrittura da 8 voci a 12 voci.
Armonizzazioni da 4 a 8 voci. Composed by Andrea Avena. Book Only. 324 pages. Sinfonica #SINFJ128. Published by Sinfonica (BT.SINFJ128).
ISBN 9788884003256. Italian.
Armonizzazioni a quattro voci: nota contro nota: quadriadi estratte, blockchords (e il concetto di drop), spread voicings, strutture quartali, clusters, approccio lineare. Approfondimenti sugli accordi diminuiti. Le 3 Voci inferiori a note lunghe ribattute; 2 blocchi di 2 voci ciascuno, melodie alternate e sovrapposizione melodica, 4 voci indipendenti. Armonizzazione a cinque voci, nota contro nota: blockchords a 5, voicings quartali, con clusters, con triadi estratte superiori, scrittura lineare, spread voicings. Le quattro voci inferirori a note lunghe o ribattute, melodie alternate esovrapposizione melodica, 5 voci indipendenti. Armonizzazioni a sei voci, nota contro nota: voicing derivati da blockchords, spread voicings, strutture quartali, con clusters, con triadi estratte superiori. Le 5 voci inferiori a note lunghe o ribattute; melodie alternate e sovrapposizionemelodica, 6 voci indipendendeti. Armonizzazione a sette voci, nota contro nota: con triadi estratte superiori, spread voicings. Le 6 voci inferiori a note lunghe o ribattute; melodie alternate e sovrapposizione melodica, 7 voci indipendenti. Esempi di scrittura da 8 voci a 12 voci.
Preview: Analisi e Arraggiamento Vol.3
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