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By Barry M. Kilpatrick, euphonium and Phyllis East, piano. By Various. Mark Records. Classical. Audio CD. Published by Mark Custom Music (MK.2535-MCD).
UPC: 710396253521.
What s as monophonically challenging as Kopprasch but more melodically inclined? Kling is surely one of the correct answers! These forty etudes are excellent musical tours of register, dymnamics, articulation patterns, and style. Do they qualify as unaccompanied solo repertoire as well? Why not--especially when in the hands of a soloist such as Stephen Hager. He has brought out this unique disc with accompanying performance suggestions and teaching tips in the liner notes. To have learned all forty certainly puts the performer through the paces: a continual use of three-octave range, slurs, marcato, legato, abrupt changes, etc. Above all the theme and variation demonstrations here are solid, enviable, and musically convincing to the very end. While being a fine teaching tool this album also serves as an example to emulate for anyone preparing for solo public appearance and auditions of all sorts.
About Listening CDs
Listening CDs are traditional music recordings. Listening CDs make a great educational supplement - hear exceptional professionals play the music you're learning! Or, just enjoy listening to the music you love.
By Barry M. Kilpatrick, euphonium and Phyllis East, piano. By Various. Mark Records. Classical. Audio CD. Published by Mark Custom Music (MK.2535-MCD).
UPC: 710396253521.
What s as monophonically challenging as Kopprasch but more melodically inclined? Kling is surely one of the correct answers! These forty etudes are excellent musical tours of register, dymnamics, articulation patterns, and style. Do they qualify as unaccompanied solo repertoire as well? Why not--especially when in the hands of a soloist such as Stephen Hager. He has brought out this unique disc with accompanying performance suggestions and teaching tips in the liner notes. To have learned all forty certainly puts the performer through the paces: a continual use of three-octave range, slurs, marcato, legato, abrupt changes, etc. Above all the theme and variation demonstrations here are solid, enviable, and musically convincing to the very end. While being a fine teaching tool this album also serves as an example to emulate for anyone preparing for solo public appearance and auditions of all sorts.
About Listening CDs
Listening CDs are traditional music recordings. Listening CDs make a great educational supplement - hear exceptional professionals play the music you're learning! Or, just enjoy listening to the music you love.
Sonata for Euphonium and Piano, Quarter Note = 92
Sonata for Euphonium and Piano, Half Note = 60
Sonata for Euphonium and Piano, Quarter Note = 120
Sonata for Euphonium and Piano
Two Pieces for Euphonium and Piano, Lyrical Piece
Two Pieces for Euphonium and Piano, Sherzino
Prelude and Rhapsody, Prelude
Prelude and Rhapsody, Rhapsody
Concerto for Euphonium and Wind Orchestra, Quarter Note = 92
Concerto for Euphonium and Wind Orchestra, Quarter Note = 72
Concerto for Euphonium and Wind Orchestra, Eighth Note = 200
Concerto for Euphonium and Wind Orchestra, Half Note = 48
Concerto for Euphonium and Wind Orchestra, Quarter Note = 120
Sonata Euphonica
Fantasy for Horn, Euphonium and Piano
Octet for Brass, Preamble
Octet for Brass, Arioso
Octet for Brass, Finale
Preview: American Music for Euphonium
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