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Chamber Ensemble Marimba & Piano (marimba (4.3-octave) piano) - medium difficult
SKU: CN.17130
Composed by Christine Donkin. Score & parts. Duration 12:00. Published by C. Alan Publications (CN.17130).
This set of short pieces begins in a contemporary (although tonal) harmonic language and gradually carries the listener 'back in time' to a more romantic tonality. The five 'photographs' hint at a possible story connecting the different images, but these connections are intentionally ambiguous. During the postlude, the harmony gradually shifts back to a contemporary style to finish the composition as it began.
Prelude Portrait of a Little Girl At the Fair Pleasant Evening on the Beach Young Man in Uniform A Path Through the Trees Postlude This is a set of short pieces written mostly in a romantic style. The prelude begins in a contemporary (although tonal) harmonic language and gradually carries the listener 'back in time' to a more romantic tonality. The five 'photographs' hint at a possible story connecting the different images, but these connections are intentionally ambiguous. During the postlude, the harmony gradually shifts back to a contemporary style to finish the composition as it began.
Chamber Ensemble Marimba & Piano (marimba (4.3-octave) piano) - medium difficult
SKU: CN.17130
Composed by Christine Donkin. Score & parts. Duration 12:00. Published by C. Alan Publications (CN.17130).
This set of short pieces begins in a contemporary (although tonal) harmonic language and gradually carries the listener 'back in time' to a more romantic tonality. The five 'photographs' hint at a possible story connecting the different images, but these connections are intentionally ambiguous. During the postlude, the harmony gradually shifts back to a contemporary style to finish the composition as it began.
Prelude Portrait of a Little Girl At the Fair Pleasant Evening on the Beach Young Man in Uniform A Path Through the Trees Postlude This is a set of short pieces written mostly in a romantic style. The prelude begins in a contemporary (although tonal) harmonic language and gradually carries the listener 'back in time' to a more romantic tonality. The five 'photographs' hint at a possible story connecting the different images, but these connections are intentionally ambiguous. During the postlude, the harmony gradually shifts back to a contemporary style to finish the composition as it began.
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