For Flute and Piano/CD. Composed by Pam Wedgwood. Woodwind, Repertoire, Collections. After Hours. Softcover Book and CD. 32 pages. Faber Music #F057152270X. Published by Faber Music (HU.F057152270X).
12 x 9 x 0.1 inches.
Pam Wedgwood's After Hours for Flute and Piano presents eight atmospheric, original pieces for the intermediate flautist with piano accompaniment. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam’s highly acclaimed Jazzin’ About series.
The book contains piano accompaniments, but for extra sophistication a CD of backing tracks is also included. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track is provided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic 'live’ instrument for those players who choose to play along with this version of the backing.
For Flute and Piano/CD. Composed by Pam Wedgwood. Woodwind, Repertoire, Collections. After Hours. Softcover Book and CD. 32 pages. Faber Music #F057152270X. Published by Faber Music (HU.F057152270X).
12 x 9 x 0.1 inches.
Pam Wedgwood's After Hours for Flute and Piano presents eight atmospheric, original pieces for the intermediate flautist with piano accompaniment. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam’s highly acclaimed Jazzin’ About series.
The book contains piano accompaniments, but for extra sophistication a CD of backing tracks is also included. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track is provided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic 'live’ instrument for those players who choose to play along with this version of the backing.
Preview: After Hours Flute Book/CD
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