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Sonata X / Sonata XI. Composed by Andrea Grossi. Edited by Friedrich Cerha. Chamber Music. Diletto Musicale. Chamber music. Op. 3. 7 pages pages. Doblinger Music Publishers #DM-01418-V2. Published by Doblinger Music Publishers (DB.DM-01418-V2).
Die beiden Sonaten zeigen den homophonen Stil der zweiten Halfte des 17. Jahrhunderts. Die vier Abschnitte sind bereits deutlich als in sich geschlossene Satze ausgepragt. Der Trompete als Soloinstrument ist der string musicchor gegenubergestellt. Das kontinuierliche Wechselspiel zwischen beiden weist die Sonaten als Fruhformen des Solokonzerts aus. Die string music konnen auch chorisch besetzt werden, der Continuo statt von einer Orgel auch von einem harpsichordalo ausgefuhrt werden. Das Basetto war ein Bassstreichinstrument in Gambenform. Bei Leopold Mozart ist es gleichbedeutend mit Violoncello. (Aus dem Vorwort von Friedrich Cerha).
Sonata X / Sonata XI. Composed by Andrea Grossi. Edited by Friedrich Cerha. Chamber Music. Diletto Musicale. Chamber music. Op. 3. 7 pages pages. Doblinger Music Publishers #DM-01418-V2. Published by Doblinger Music Publishers (DB.DM-01418-V2).
Die beiden Sonaten zeigen den homophonen Stil der zweiten Halfte des 17. Jahrhunderts. Die vier Abschnitte sind bereits deutlich als in sich geschlossene Satze ausgepragt. Der Trompete als Soloinstrument ist der string musicchor gegenubergestellt. Das kontinuierliche Wechselspiel zwischen beiden weist die Sonaten als Fruhformen des Solokonzerts aus. Die string music konnen auch chorisch besetzt werden, der Continuo statt von einer Orgel auch von einem harpsichordalo ausgefuhrt werden. Das Basetto war ein Bassstreichinstrument in Gambenform. Bei Leopold Mozart ist es gleichbedeutend mit Violoncello. (Aus dem Vorwort von Friedrich Cerha).
Preview: 2 Sonaten a 5/2 Sonatas a 5, op.3
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