1812 Overture (Themes) Themes - Full Score and Parts by Peter Ilyich Tchaikovsky String Orchestra - Sheet Music

Name: 1812 Overture (Themes)
Brand: Carl Fischer
SKU: 3787935
Price: 65 USD
Availability: InStock

By Peter Ilyich Tchaikovsky

1812 Overture (Themes) String Orchestra scores gallery preview page 1

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1812 Overture (Themes) by Peter Ilyich Tchaikovsky String Orchestra - Sheet Music

1812 Overture (Themes) by Peter Ilyich Tchaikovsky String Orchestra - Sheet Music page 2

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Details

Instrument:

Clarinet Double Bass

Genres:

Romantic Period 4th of July

Composers:

Peter Ilyich Tchaikovsky

Publishers:

Carl Fischer Music

Format:

Set of Parts Score and Parts

Item types:

Physical

Artist:

Peter Ilyich Tchaikovsky

Arrangers:

Andrew Balent

Usages:

School and Community

Detailed Description

Orchestra Bass Drum, Bassoon, Cello, Clarinet I, Clarinet II, Contrabass, Flute, Horn in F, Oboe, Snare Drum, Timpani, Trombone, Trumpet I, Trumpet II, Tuba, Viola, Viola (treble clef), Violin I, Violin II, Violin III, Xylophone

SKU: CF.YCO3

Themes - Full Score and Parts. Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Balent. Folio. The Carl Fischer Young Full or String Orchestra Performance Series. Score and parts. With Standard notation. 116 pages. Carl Fischer Music #YCO3. Published by Carl Fischer Music (CF.YCO3).

ISBN 9780825840494. UPC: 798408040499. 9 x 12 inches. Key: D major.

The Finale of the celebrated 1812 Overture, re-scored for young orchestra, is a fine addition to programs, especially those in need of an outstanding closing selection. This arrangement makes an excellent introduction to the music of one of the greatest orchestral composers of all time. Duration: 2'.
The opening and closing themes from Tchaikovsky's famous 1812 Overture are featured in this full-sounding, yet easy arrangement.The conductor should work for a full, balanced ensemble sound in the opening Chorale. At m. 19 the Finale theme enters in the new tempo, Allegro Vivace. The eighth-note rhythms should be as precise as possible, and special attention should be given to articulation. Build to a climax at m. 39 and maintain this level of intensity to the final cadence. From m. 43 to the end, the ensemble should play with a slight separation between notes to achieve the proper effect and clarity.