-I Believe (SATB) by Mark A. Miller 4-Part - Sheet Music
By Mark A. Miller
19828153
-I Believe (SATB)
19828153
19828153
19828153
Details
SATB Choir
SKU: CG.CGA1310
Composed by Mark A. Miller. General. Christian. Octavo. Chorister's Guild #CGA1310. Published by Chorister's Guild (CG.CGA1310).UPC: 749193017401. 7 x 10.25 inches.
Written in a hymn-like, chorus style, I Believe can be used as an anthem or as a congregational song. The sentiment of the text, "I believe in the sun, even when it's not shining" is one that is applicable in our times in any worship setting. This anthem represents the best of Mark Miller's writing and will be sung by generations to come. Voicing: SATB with piano Composer: Mark A. Miller Text: Traditional Jewish Poem Season: General Additional Resources: CGA1510 I Believe SSA CGAC1310 I Believe Accompaniment Track CGOR1310 I Believe full orchestration CGRP51 I Believe orchestration for string quintet with piano or harp.
Ratings + Reviews
Based on 4 Reviews
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Anonymous
April 16, 2019
Excellent piece!
Mark Miller is amazing, as always! Very inspirational music and text.
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Anonymous
August 04, 2018
Building on simplicity
A great poem; a beautiful melody; easy to teach and a congregation/audience favorite
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Pastor A.
October 25, 2017
I Believe
I heard this song for the first time at a clergy workshop where Mark Miller was leading the music. I was inspired emotionally, spiritually, and intellectually by the simplicity of the words, the power of the theological expression and the testimony that the lyrics represent, and the complexity of the harmonies.I can play a simple version on guitar, but this musical arrangement is much more complex and powerful with its four part harmonies and emphasis on the single soprano voice that begins and ends as a personal testimony to the presence of things physical and spiritual that seem transient but whose existence is as real as any reality.
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Sarah
January 01, 2017
Blown away
This piece is so amazing and inspiring. The text comes from a poem that was found on the walls of a concentration camp after WW2. The piece begins very quietly with a soprano solo and gradually builds up intensity until it leaves you with tears streaming down your face. Simple text and uses lots of repetition; a piece that focuses on dynamics.
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