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19260812
19260812
28.95
19260812

TWOgether - Piano and ...

14 Duos

By Elisabeth Aigner-Monarth/Antoinette Van Zabner

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Piano, instruments
14 Duos. Composed by Elisabeth Aigner-Monarth/Antoinette Van Zabner. Edited by Aigner-Monarth and Van Zabner. Edition Breitkopf. Pedagogical. Score and parts, instructional method. Breitkopf and Haertel #EB-8647. Published by Breitkopf and Haertel (BR.EB-8647).

Item Number: BR.EB-8647

ISBN 979-0-004-18340-3. 9 x 12 in inches.

Gone are the days when chamber music was relegated to the sidelines of piano instruction. TWOgether contains two pieces each, mostly original, for piano and the most popular classical melody instruments. It is clear that the pieces make equal musical demands on both the piano and the melody instrument. Thanks to this stylistically varied book, young pianists - or their teachers - can go out recruiting all kinds of different musical partners. Facilitating their access to the pieces are the informative comments of the editors, which include thoughts on chamber music, and the intonations provided by Oskar Aichinger. Ralf Wehner's thematic catalogue closes this gap.

It organizes the body of works into 26 groups and assigns each work its own MWV number. Within the groups the individual pieces are arranged chronologically. Also included in the MWV are all known collective manuscripts and prints information on works of dubious authenticity and on Mendelssohn's arrangements as well as his editions of works by other composers. Wehner's work is based on the examination of material and information from more than 1 500 libraries c. 15 000 auction catalogues and about 12 000 letters. The succinct account of the history of the work its publication and reception gives the MWV its profile as a compact study edition.

An overview on the MWV numbering system you will find on the webiste of the
Sachsische Akademie der Wissenschaften zu Leipzig.
Das Werk ist eine Auftragskomposition der IGNM Basel.

Nachdem ich mich in den vergangenen Jahren mit dem Ort von Klangen im Raum beschaftigt habe konzentriert sich diese Musik auf den inneren Raum von Klangen. In drei skizzenhaften Kompositionen wird ausgelotet wie weit ein einzelner Klang gefachert werden kann was seine innere Beschaffenheit und seine aussere Begrenzung ist. Unwillkurlich verschranken sich hier Harmonik und Zeit verbunden mit der Frage wie weit eine klangliche Facherung noch als Einheit wahrgenommen oder ab wann sie zu einem losgelosten Gebilde wird. So sind hier weniger die Innenraume eines Gebaudes imaginiert klar umgrenzt von Mauern sondern vielmehr jene Phanomene die uberall entstehen konnen wenn man innehalt und eine Beobachtung fixiert die aus einer anderen Perspektive unbeachtet verrauschen wurde. (Isabel Mundry).

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