World's Largest Sheet Music Selection

21077892
21077892
21077892

Tre Volti

for Trombone Ensemble

By Jan Van der Roost

Be the first! Write a Review
https://www.sheetmusicplus.com/title/tre-volti-sheet-music/21077892?aff_id=50330

Trombone Ensemble - very difficult
For Trombone Ensemble. Composed by Jan Van der Roost. De Haske Brass Series. Concert Piece. Set (Score & Parts). Composed 2012. 44 pages. De Haske Publications #DHP 1125253-070. Published by De Haske Publications (BT.DHP-1125253-070).

Item Number: BT.DHP-1125253-070

9 X 12 INCH inches.

Tre Volti (Three Faces) has been commissioned by the renowned "New Trombone Collective", exclusively existing of top-trombonists from the Dutch symphony orchestras. The world premiere was given by the commissioners and took place in "De Doelen" in Rotterdam on april 16th 2011 - during the "Slide Factory" - European Trombone Festival.The composer aimed to illustrate 3 different aspects of the instrument in as many movements. Effetti e Tecniche (Effects and Techniques) displays a large amount of specific spectacular and acrobatic possibilities and also various colors and sounds by using different mutes. It contains many "glissandi" as well as clusters with semi tones andquarter tones, all being "typical" for the trombone indeed. The Lamento Lirico (Lyrical Lamento) combines the rather serious and noble voice of the trombone with an aspect which not automatically is connected to that instrument: the melodical character. The overall atmosphere of this movement is somewhat sad and strained and refers to the many beautiful but rather dark passages in the orchestral and opera literature where the trombone section as such is used ...The final movement is called Sonata Antica (Antique Sonata) and is directly inspired by two "sonatas" for 3 and 4 trombones by Daniel Speer (1636 - 1707). It illustrates the "historical" dimension of the trombone: indeed it was the only brass instrument being able to play chromatically - many centuries before all other brass instruments - thanks to the unique slide system which even during the Middle Ages was applicable already. The antiphonal position, the dialoguing motives and the "neo-early-baroque" idiom really pay homage to Daniel Speer: he composed a certain number of pieces for brass instruments indeed and the composer used thematic material from his Sonatas in d and a in various ways, thus concluding this varied composition in a festive way.

Een driedelige - uitdagende - suite voor trombone ensemble.

Tre Volti (zu deutsch: Drei Gesichter) - In drei deutlich kontrastierenden Bewegungen versucht der Komponist, ebenso viele Facetten der Posaune zu beleuchten. Der erste Teil EFFETTI E TECNICHE prasentiert eine Reihe akrobatischer und spektakularer Effekte, die auf diesem vielseitigen Instrument moglich sind, sowie einige Klangfarben (letztere mit einem Dampfer gespielt). Das LAMENTO LIRICO enthalt die eher ernsten Tone, welche die Posaune in der Regel spielt und kombiniert diese mit einem Aspekt, der doch eher ungewohnlich fur dieses Instrument ist: einem melodischen Charakter. Der dritte Satz - SONATA ANTICA - wurde unmittelbar von zwei der bekanntesten Sonaten vonDaniel Speer (1636-1701) inspiriert. Hier geht es um die historische Dimension der Posaune: Tatsachlich war sie das erste Blechblasinstrument, auf dem man - Jahrhunderte vor allen anderen - schon chromatisch spielen konnte.

Tre Volti (Trois Visages) est une commande du prestigieux New Trombone Collective, compose des meilleurs trombonistes des orchestres symphoniques neerlandais. La premiere mondiale, assuree par la formation dedicataire, a eu lieu le 16 avril 2011 au Doelen de Rotterdam dans le cadre du "Slide Factory", le festival europeen consacre aux trombones.Le compositeur souhaitait illustrer trois aspects de l'instrument en trois mouvements. Effetti e Tecniche (Effets et Techniques) evoque les nombreuses possibilites acrobatiques du trombone, ainsi que l'emploi de sourdines pour obtenir differents timbres et couleurs. Ce mouvement developpe de nombreux glissandi ainsi quedes mesures avec des demi-tons et quart de tons, des effets "typiques" du trombone. Le Lamento Lirico (Complainte Lyrique) tisse une trame a l'empreinte melodique et aux motifs plutot nobles et serieux, mettant en evidence l'une des caracteristiques que l'on n'associe pas toujours avec cet instrument. Le climat general de ce mouvement, quelque peu triste et tendu, fait reference aux nombreuses oeuvres orchestrales et operatiques ou les trombones se voient attribuer des passages sombres et melancoliques.Le dernier mouvement, intitule Sonata Antica, s'inspire directement de deux sonates de Daniel Speer (1636-1707) pour trois et quatre trombones respectivement. Il illustre la dimension historique du trombone, qui etait d'ailleurs, au Moyen Age, le seul cuivre capable de jouer chromatiquement grace au systeme de coulisse, et ce plusieurs siecles avant les autres cuivres. La forme antiphonale, les motifs de dialogue et l'idiome "ancien neo-baroque" rendent hommage a Daniel Speer. Le compositeur de Tre Volti a emprunte, a sa maniere, plusieurs themes des sonates en Re et en La pour conclure joyeusement cette composition aux multiples facettes.

Tre Volti (Three Faces) has been commissioned by the renowned "New Trombone Collective", exclusively existing of top-trombonists from the Dutch symphony orchestras. The world premiere was given by the commissioners and took place in "De Doelen" in Rotterdam on april 16th 2011 - during the "Slide Factory" - European Trombone Festival.The composer aimed to illustrate 3 different aspects of the instrument in as many movements. Effetti e Tecniche (Effects and Techniques) displays a large amount of specific spectacular and acrobatic possibilities and also various colors and sounds by using different mutes. It contains many "glissandi" as well as clusters with semi tones andquarter tones, all being "typical" for the trombone indeed. The Lamento Lirico (Lyrical Lamento) combines the rather serious and noble voice of the trombone with an aspect which not automatically is connected to that instrument: the melodical character. The overall atmosphere of this movement is somewhat sad and strained and refers to the many beautiful but rather dark passages in the orchestral and opera literature where the trombone section as such is used ...The final movement is called Sonata Antica (Antique Sonata) and is directly inspired by two "sonatas" for 3 and 4 trombones by Daniel Speer (1636 - 1707). It illustrates the "historical" dimension of the trombone: indeed it was the only brass instrument being able to play chromatically - many centuries before all other brass instruments - thanks to the unique slide system which even during the Middle Ages was applicable already. The antiphonal position, the dialoguing motives and the "neo-early-baroque" idiom really pay homage to Daniel Speer: he composed a certain number of pieces for brass instruments indeed and the composer used thematic material from his Sonatas in d and a in various ways, thus concluding this varied composition in a festive way.

Close X

By signing up you consent with the terms in our Privacy Policy

I am a music teacher.