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6321091
6321091
6321091

The Symphonies - Study Scores

Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna

By Johannes Brahms

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Orchestra
Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms (1833-1897). Edited by Hans Gal. Partitur-Bibliothek (Score Library). Romantic. Parts. Breitkopf and Haertel #PB-3641-07. Published by Breitkopf and Haertel (BR.PB-3641-07).

Item Number: BR.PB-3641-07

ISBN 979-0-004-20127-5. 6.5 x 9 in inches.

Johannes Brahms wrote his Fourth Symphony in 1884/85. The work was given its first performance in Meiningen on 25 October 1885 under the direction of the composer. The first edition (score and parts) was published by N. Simrock (Berlin) in the following year. The present edition is based on the Complete Edition Johannes Brahms - Samtliche Werke of the Gesellschaft der Musikfreunde in Vienna which was published by Breitkopf & Hartel. proficiency.

NEW! Free MP3 files of all pieces. Piano duets, get ready! Here comes Michael Proksch's A Spaniard for Elise, a collection of twelve exquisite pieces that are an irresistible treat for lovers of four-hand playing. The Spaniard offers something for every level of proficiency. You'll feel blissful In Seventh Heaven and full of joie de vivre on Paris's Pont-Neuf in Seine Scene. You can join Erik Satie, Surprised by the Fresh Country Air and engage in a temperamental dialogue of styles in A Spaniard for Elise. Enhancing the pedagogical value of this singular collection are comments on how to play the pieces, as well as a CD which can not only be listened to and enjoyed, but also used as a play-along version, as it carries individual tracks for the primo and secondo parts

To music and notes sample No. 5 High Spirits
Primo: Staccati with a dynamic, forward drive produced with a nimbly reacting wrist and calm arm. Strongly accentuate the first note at legato slurs. The appoggiaturas can be initially left out. mm. 1-8: Right hand plays alone; mm. 9-16 divided between l.h. and r.h.
Secondo: four-measure-long accompaniment pattern (can also be used as a basis for original melodies!). The fourth beats are stressed through slurred eighths.

Cover design by Doris Jausly, illustrations by Dorothea Lindenberg


stadler quartett
CD NEOS 10806

Bibliografie:

Alberman David: Abnormal Playing Techniques in the String Quartets of Helmut Lachenmann in: Helmut Lachenmann - Music with matches hrsg. von Dan Albertson Contemporary Music Review 24 (2005) Vol. 1 p. 39-51
Cavalotti Pietro: Diagramme und ,,Operative Bildlichkeit im Kompositionsprozess Helmut Lachenmanns in: Helmut Lachenmann: Musik mit Bildern? Hrsg. von Matteo Nanni und Matthias Schmidt (= eikones hrsg. von Nationalen Forschungsschwerpunkt Bildkritik an der Universitat Basel) Munchen: Wilhelm Fink 2012 S. 117-139
Egger Elisabeth: Kontinuitat Verdichtung Synchronizitat. Zu den grossformalen Funktionen des gepressten Bogenstrichs in Helmut Lachenmanns Streichquartetten in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2) Saarbrucken: Pfau 2008 S. 155-171
Hiekel Jorn Peter: Die Streichquartett ,,Gran Torso und ,,Grido von Helmut Lachenmann in: Lucerne Festival Sommer 2005 ,,Neuland Konzertprogramm 6 S. 65-69
Huppe Eberhard: das bewegte streichquartett. Von ,,Grido zu ,,Double (Grido II) in: Neue Zeitschrift fur Musik 167 (2006) Heft 2 S. 44-47
Jahn-Bossert Hans-Peter: Fear of ...? Essayistic Miniatures on Grido in: Helmut Lachenmann - Music with matches hrsg. von Dan Albertson Contemporary Music Review 24 (2005) Vol. 1 p. 31-38
ders: ,,Schone Stellen. Verwundungen in Lachenmanns jungsten Werken in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt Band 46) Mainz u. a.: Schott 2006 S. 59-72
Kuhn Hans Niklas: Helmut Lachenmann. ,,Grido und ,,Double in: Lucerne Festival Sommer 2005 ,,Neuland Konzertprogramm 7 S. 36-41
Mosch Ulrich: Kunst als Medium der Ungeborgenheit. Streichquartette und soziale Funktion des Komponierens bei Helmut Lachenmann in: Positionen 81 (November 2009) S. 37-39

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