• Sonate pour Piano et Violoncelle op. 11 by Helene Riese Liebmann Cello - Sheet Music
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Sonate pour Piano et Violoncelle op. 11 by Helene Riese Liebmann Cello - Sheet Music

By Helene Riese Liebmann

Helene Liebmann, nee Riese, was born in Berlin in 1795 and participated actively as a child prodigy in Berlin's public concert life. She was taught music by the most renowned music teachers in Berlin: e.g. Franz Lauska. Between the ages of 15 and 21 she published a series of works. Nothing is known about her live after her marriage in 1813. The last mention of the composer is found in March 1835 when she met Clara Schumann in Hamburg. The Sonata for Pianoforte and Violoncello op. 11, here arranged for viola and piano, was first published in Berlin in 1806. Classical elegance in structure and imaginativeness in melody, ingenuity and brilliance, and wit and charm are the outstanding features of this work. The final movement is made up of seven variations on the theme La ci darem la mano from the opera Don Giovanni.

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Details

Summary
Instrument:
Cello Piano Accompaniment Viola Solo
Genres:
Classical
Composers:
Helene Riese Liebmann
Publishers:
Furore Verlag
Series:
Women Composers and Arrangers
ISBN:
979-0-50012-372-9
Format:
Set of Parts Score and Parts
Item types:
Physical
Musical forms:
Sonata
Artist:
Helene Riese Liebmann
Usages:
School and Community
Shipping Weight:
1.72 pounds
Detailed Description
Viola and piano - Level 3

SKU: FV.FUE-10001

Composed by Helene Riese Liebmann. Edited by Bella Kalinowsky and Semjon Kalinowsky. Viola. Instrumental Music. Score and parts. Composed 1806. Furore Verlag #FUE 10001. Published by Furore Verlag (FV.FUE-10001).

ISBN 979-0-50012-372-9.

Helene Liebmann, nee Riese, was born in Berlin in 1795 and participated actively as a child prodigy in Berlin's public concert life. She was taught music by the most renowned music teachers in Berlin: e.g. Franz Lauska. Between the ages of 15 and 21 she published a series of works. Nothing is known about her live after her marriage in 1813. The last mention of the composer is found in March 1835 when she met Clara Schumann in Hamburg. The Sonata for Pianoforte and Violoncello op. 11, here arranged for viola and piano, was first published in Berlin in 1806. Classical elegance in structure and imaginativeness in melody, ingenuity and brilliance, and wit and charm are the outstanding features of this work. The final movement is made up of seven variations on the theme La ci darem la mano from the opera Don Giovanni.

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