• Sonata No. 2 by Lowell Liebermann Chamber Music - Sheet Music
  • Sonata No. 2 by Lowell Liebermann Chamber Music - Sheet Music page 2

Sonata No. 2 Op. 61, For Violoncello and Piano by Lowell Liebermann Chamber Music - Sheet Music

By Lowell Liebermann

Sonata No. 2 for Cello and Piano, Op.61 was commissioned by Wigmore Hall for cellist Steven Isserlis and pianist Stephen Hough. The first Cello Sonata Op. 3, was written 20 years earlier and presages the later work in that both Sonatas are in one movement with three clearly delineated sections. The 2nd Sonata makes use of a thematic fragment from my opera The Picture of Dorian Gray: a prayer uttered by Basil - Lead us not into temptation. Forgive our sins. Wash away our iniquities. The Sonata opens with the seven-note motto that begins this prayer, a fragment which interrupts the thematic development of the Sonata several times before being extended into a lyric outpouring in the work's central section. The Sonata can be heard as a meditation upon faith and disillusionment.

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Details

Summary
Instrument:
Piano Accompaniment Cello Solo
Ensembles:
Chamber Music
Genres:
Classical
Composers:
Lowell Liebermann
Publishers:
Theodore Presser Company
UPC:
680160015207
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Musical forms:
Sonata
Artist:
Lowell Liebermann
Usages:
School and Community
Size:
9 x 12 inches
Shipping Weight:
0.63 pounds
Detailed Description
Chamber Music Cello, Piano

SKU: PR.114410400

Op. 61, For Violoncello and Piano. Composed by Lowell Liebermann. This edition: saddle-wire stitch. Sws. Classical. Score and parts. With Standard notation. Composed 1998. Opus 61. Duration 00:15:00. Theodore Presser Company #114-41040. Published by Theodore Presser Company (PR.114410400).

UPC: 680160015207. 9 x 12 inches.

Sonata No. 2 for Cello and Piano, Op.61 was commissioned by Wigmore Hall for cellist Steven Isserlis and pianist Stephen Hough. The first Cello Sonata Op. 3, was written 20 years earlier and presages the later work in that both Sonatas are in one movement with three clearly delineated sections. The 2nd Sonata makes use of a thematic fragment from my opera The Picture of Dorian Gray: a prayer uttered by Basil - Lead us not into temptation. Forgive our sins. Wash away our iniquities. The Sonata opens with the seven-note motto that begins this prayer, a fragment which interrupts the thematic development of the Sonata several times before being extended into a lyric outpouring in the work's central section. The Sonata can be heard as a meditation upon faith and disillusionment.

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