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3866012
3866012
3866012

Serenata No. 1 in D major Op. 69a

By Jean Sibelius

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Violin, orchestra (solo: vl - 2.2.2.2. - 4.0.0.0. - timp - str)
Composed by Jean Sibelius (1865-1957). Edited by Hermann Gartner. Arranged by Hermann Gartner. Edition Breitkopf.

Herr Gartner's arrangement is excellent. Herr Gartner is worth his weight in gold - I sincerely envy him. (Jean Sibelius)

Early 20th Century. Piano reduction. Breitkopf and Haertel #EB-3936. Published by Breitkopf and Haertel (BR.EB-3936).

Item Number: BR.EB-3936

ISBN 979-0-004-18098-3. 9 x 12 in inches.

Herr Gartner's arrangement is excellent. Herr Gartner is worth his weight in gold - I sincerely envy him. (Jean Sibelius) Sibelius wrote his two "Serenatas Op. 69" in 1912. Upon receiving the scores, Breitkopf commissioned Hermann Gärtner to prepare arrangements for violin and piano. In order to spare the violin from having too many rests, the publisher asked Gärtner to transfer a few passages from the orchestral accompaniment to the solo part. In a letter to the publisher, the composer expressed his total satisfaction with the results: "Herr Gärtner’s arrangement is excellent. Herr Gärtner is worth his weight in gold - I sincerely envy him." Fast alle Orchesterbearbeitungen sind Jahre nach den Originalkompositionen fur Singstimme und Klavier entstanden.

Trotz der Tatsache dass sie rasch hingeworfen sind zeigt sich in allen Liedern Sibelius' Meisterschaft als Orchesterliederkomponist. manchmal vermag er eine dustere dramatische Atmosphare (in ,,Pa verandan vid havet) zu erzeugen manchmal gelingen ihm leuchtend farbige Impressionen (in ,,Soluppgang) oder zart transparente Gewebe (in ,,Varen flyktar hastigt) - immer jedoch sind die Lieder ganz aus deren poetischer Idee heraus gestaltet und differenziert nachgezeichnet. In den meisten Fallen beschrankte sich Sibelius auf ein relativ kleines Orchester. In ,,Varen flyktar hastigt sind neben den Streichern nur zwei Floten und vier Horner besetzt. Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano.

Yet even though the arrangements were made in a very short period of time Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet) sometimes radiant colorful impressions (in Soluppgang) or light-colored transparent textures (in Varen flyktar hastigt) and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it. Jarnefelts Drama Kuolema (Der Tod) hervorgegangen. Nach den ersten szenischen Auffuhrungen im Dezember 1903 am.

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