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20033528
20033528
32.95
20033528

Septem verba a Christo in cruce moriente prolata

Urtext

By Giovanni Battista Pergolesi

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Voices and piano (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1.2(obl.).1.1.)
Urtext. Composed by Giovanni Battista Pergolesi (1710-1736). Edited by Reinhard Fehling. Arranged by Matthias Grunert. Solo concerto. Edition Breitkopf.

The present setting of the Seven Last Words of Jesus Christ grippingly depicts the story of Christ's Crucifixion in fourteen Musical Dialogues. Listen to the world premiere recording of this major work of the Neapolitan Baroque, performed by the Akadem. Baroque period. Piano/Vocal Score. Breitkopf and Haertel #EB 8847. Published by Breitkopf and Haertel (BR.EB-8847).

Item Number: BR.EB-8847

ISBN 9790004184370. 7.5 x 10.5 inches.

The present setting of the Seven Last Words of Jesus Christ grippingly depicts the story of Christ's Crucifixion in fourteen Musical Dialogues. The present setting of the Seven Last Words of Jesus Christ grippingly depicts the story of Christ's Crucifixion in fourteen Musical Dialogues. Hermann Scherchen who was the first to take up the cause of the one-hour-plus long colorfully scored work came to the conclusion: One of the most heartfelt works of art full of gentleness and profound sensitivity. Since 1936 when two manuscripts of monastic provenance were discovered musical scholars have been asking themselves whether the ,,Septem verba is authentic or solely attributable to Sig. Pergolese. It is only thanks to the scholarly comparison of all manuscripts and to the discovery of two new sources which impressively confirm the existence of an active reception of this work in the mid 18th century that the authorship and transmission can be newly evaluated. wants to know what an artistic exchange can really mean should read this document (Nikolaus Brass).
An incredibly enlightening documentary (Peter Ruzicka).
The reader becomes the witness of an extremely exciting dialogue between two great composers (Michael Haefliger). Im Fall des Konzerts Es-dur KV 447 bietet das saubere Autograph eine sichere Basis fur die vorliegende Urtextausgabe die kleinere Feinheiten und Abweichungen Mozarts an Parallel- und Wiederholungsstellen bewusst nicht einebnet.

In der Ausgabe fur Horn und Klavier enthalten die beiden Solostimmen zweifache Kadenzvorschlage fur den ersten Satz sowie Eingange ebenfalls alternativ fur Takt 22 und 196 im dritten Satz. Der bekannte Mozart-Spezialist Robert D. Levin legt dafur vielfach verknupfbare Motiv- und Melodieteile vor aus denen sich jeder Hornist seine eigene Kadenz zusammenstellen kann. The clean autograph of the Horn Concerto in Eb major K. 447 offers a reliable basis for the present Urtext edition which deliberately abstains from leveling out certain fine points and smaller divergences made by Mozart at parallel and repeated passages.

In the edition for horn and piano the two solo parts contain two cadenza suggestions for the first movement as well as lead-ins (also alternative) for measures 22 and 196 in the third movement. The distinguished Mozart specialist Robert D. Levin offers a variety of multiply interrelated motivic and melodic sections from which every horn player can put together his own cadenza.

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