World's Largest Sheet Music Selection

4288943
4288943
4288943

Piano Concerto [No. 9] in Eb major K. 271

Jeunehomme Concerto - Urtext

By Wolfgang Amadeus Mozart

Be the first! Write a Review
https://www.sheetmusicplus.com/title/piano-concerto-no-9-in-eb-major-k-271-sheet-music/4288943?ac=1&aff_id=69435

Piano, orchestra (solo: pno - 0.2.0.0. - 2.0.0.0. - str)
Jeunehomme Concerto - Urtext. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Cliff Eisen. Arranged by Walter Heinz Bernstein. Edition Breitkopf.

You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. The edition EB 8577 Busoni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for t. Classical period. Piano reduction. Breitkopf and Haertel #EB-8640. Published by Breitkopf and Haertel (BR.EB-8640).

Item Number: BR.EB-8640

ISBN 979-0-004-18121-8. 9 x 12 in inches.

You will find the original cadenzas under Mozart 36 Cadenzas for his own Piano Concertos. The edition EB 8577 Busoni Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for the Piano Concerto in E flat major K. 271.

EB 8640 is printed in score form; two copies are needed for performance.

Robert Levin's brilliant and inspired recording (with Christopher Hogwood and the Academy of Ancient Music) and Breitkopf's new edition have two things in common: their historically well-founded approach and the editorial team consisting of Robert Levin and Cliff Eisen. Here, Urtext signifies an eschewal of a final version that never existed and that Mozart himself had never even envisaged. On the contrary, Levin and Eisen pursue an editorial philosophy tailored to Mozart and his music: Standardization is the greatest aesthetic threat in the performance of Mozarts concertos. To prepare the score of the new edition, the editors were able to consult the autograph, located in Krakow, for the very first time. The new edition clearly incorporates a much broader base of findings than any previous edition, including the NMA. At the same time, the score and piano reduction offer a wealth of additional information on performance practice gleaned from further authentic sources, including observations on continuo practice, instruments, size and disposition of the orchestra, ornaments, tempo and character, cadenzas and flourishes.

Close X

By signing up you consent with the terms in our Privacy Policy

I am a music teacher.