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Méditation from Thaïs (Arranged for Violin and Piano)

By Jules Massenet

Violin and piano accompaniment - Difficulty: medium
Composed by Jules Massenet (1842-1912). Edited by Roger Nichols. Violin & Piano. Edition Peters. Classical Period. Set of performance parts. With solo part, piano reduction and introductory text. 12 pages. Edition Peters #98-EP7510. Published by Edition Peters (PE.EP7510).

Item Number: PE.EP7510

ISBN 9790577081335. 9x12 inches. Key: D major. English.

This arrangement for violin and piano of the famous Méditation from Massenet's opera Thaïs from Edition Peters contains separate violin and piano parts and has been arranged and edited by Roger Nichols. One of the world's foremost authorities on the music of France, Roger Nichols has published and broadcast extensively on the music of composers such as Ravel, Satie, Debussy, Chabrier and Berlioz. In 2006 he was appointed chevalier de la Légion d'honneur for his services to French music.

Thaïs, Massenet's tenth completed opera, had its première at the Paris Opéra on 16 March 1894 with the American soprano Sibyl Sanderson in the title role. The libretto by Louis Gallet was based on Anatole France's novel of the same name, serialized in the Revue des deux mondes in 1889 and published in book form the following year.

The story tells of the conversion to Christianity of the courtesan Thaïs by the holy man Athanael, and his parallel but opposite conversion to a life dominated by lust for her. The Méditation for solo violin and orchestra, joining the two scenes of Act II, describes the beginning of Thaïs's conversion.

The work was not received well initially; by 1897, when Sanderson retired, it had reached only its fourteenth performance. But the Méditation was an instant success with violinists, and its religious association also encouraged church organists to play it at Mass during the Communion. Even Pope Pius X's motu proprio of 1903, specifically demanding that the music heard in church should not include reminiscences of those employed in the opera house, could not prevail against it.

  • Ratings + Reviews

  • 5

    Difficulty Level:
  • December 29, 2008 A Full, But Manageable Piano Part

    This is not a "bare bones" accompanying piano part for the violin solo; it is sufficiently challenging for the pianist and interesting for the listener as well. Rhythmically rock solid from the beginning measure, it cradles the violin with harp-like sonorities from start to finish.

    24 of 44 people found this review helpful.
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