Keyboard works - Parts I & 2 + CD. Autograph MS, 1702.
Manuscrit autographe, 1702. Composed by Bernardo Pasquini (1637-1710). Edited by Emer Buckley. This edition: Facsimile. Collection Dominantes. Parts I & 2 with CD. Published by Anne Fuzeau Productions - France (FZ.5950).
Item Number: FZ.5950
ISBN M230659505. 23.50 x 31.50 cm inches.
This facsimile of the manuscript by Bernardo Pasquini is part of our Dominantes collection.
Anne Fuzeau Classique propose to discover extracts of this manuscript in CD.
Keyboard works - part 1 (Ref. : 5919):
Sonate per gravecembalo composte del Sig. Bernardo Pasquini e scritte di sua mano in questo libro. A. D. 1702. Aprile. Keyboard works by Pasquini: manuscript Berlin, part one. Edition: Manuscript autographe, 1702. Presentation by Emer Buckley: Biography of Pasquini - The music of Pasquini - Ornamentation - the instrument - selective bibliography - commentary on the score - corrections and suggestions - index. The autograph manuscript of Bernardo Pasquini's keyboard music is published in two parts to avoid a cumbersome volume of more than 500 pages. The preface to this high quality music, largely unpublished up to now, is by the remarkable harpsichordist and musicologist, Emer Buckley, who has alsorecorded a selection of the finest pieces. (ref. 5904). Keyboard works - part 2 (Ref. : 5920):Sonate per gravecembalo composte del Sig. Bernardo Pasquini e scritte di sua mano in questo libro. A. D. 1702. Aprile. The keyboard works of Pasquini: manuscript of Berlin, second party. Presentation by Emer Buckley: Commentary of the score - Corrections and suggestions - Index. Keyboard works - CD (Ref. : 5904):
Extracts of the manuscript of Pasquini. Harpsichord: Emer Buckley. Accord Mesotonique: Partite del Saltarello, Partite diverse di Follia, Tastata per Milone, Bergamasca, Passacaglia, Sarabanda, Partite di Bargamasca, Toccata terza, Variationi Capricciose.
Accord Italie, XVIIIth century: Alemanda Scozzese Corrente (GIGA), Capriccio, Variationi per Francia, Tastata per lo Scozzese, Variationi per il paggio tedesco, Toccata con lo Scherzo del Cucco.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Berlin, Preussischer Kulturbesitz, Musikabteilung mit Mendelssohn-Archiv (Germany). Anne Fuzeau Classique propose period copies of classical music scores.
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