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18455180
18455180
23.95
18455180

Intervallbuch for Piano

By Barbara Heller

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Piano
Composed by Barbara Heller (1936-). Edition Breitkopf.

Barbara Heller had already tackled the challenge of writing short piano pieces around a specific interval in her Playing with Fifths for Piano. Now, in her Intervallbuch, she applies this concept to the other intervals&nbs. Pedagogical. Instructional method. Breitkopf and Haertel #EB-8665. Published by Breitkopf and Haertel (BR.EB-8665).

Item Number: BR.EB-8665

ISBN 979-0-004-18258-1. 9 x 12 in inches.

Barbara Heller had already tackled the challenge of writing short piano pieces around a specific interval in her Quint-Spiele (EB 8749). Now, in her Intervallbuch, she applies this concept to the other intervals and has produced four or five pieces each for the second to the octave, and arranged them in order of progressive difficulty. The little pieces are as delightful as their evocative titles, such as Die schuchterne Sekunde (The Shy Second), Die faule Terz (The Lazy Third), Sextenblues (Sixth Blues) and Wo will die Septime hin? (Where is the Seventh Going?). But there is much more: Sigrid Naumann's accompanying texts encourage players to treat the notated material freely, to vary it, to improvise upon it and to contribute original compositional ideas.

Qasid bedeutet auf Deutsch Kasida - eine poetische Gattung der arabischen Literatur die seit dem Mittelalter in Gebrauch war. Qasid bedeutet auch dass etwas in zwei Teile geteilt ist. Alle Qasid-Stucke sind daher als Form zweiteilig. Qasid 3 war einen Auftragswerk des Trio Iberia und wurde im Auditorio Nacional von Madrid in Mai 2002 uraufgefuhrt. (Jose M. Sanchez-Verdu) Qasid significa en arabe casida una forma poetica de la literatura arabe clasica usada desde la Edad Media. Qasid es tambien algo dividido en dos partes. Todas las piezas de este ciclo estan divididas formalmente en dos partes. Qasid 3 nacio como encargo del Trio Iberia para el Ciclo de Camara y Polifonia y fue estrenada en el Auditorio Nacional de Madrid en mayo de 2001. (Jose M. Sanchez-Verdu).

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