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Grains for orchestra and electronics
Flute, Oboe, Clarinet, Bassoon, Trumpet, Horn in F, Violin, Viola, Cello, Double Bass, Timpani, Full Orchestra - Advanced Intermediate - Digital Download
Composed by Jorge Ramos. 21st Century, Contemporary Classical, Modern, Post-Modern, Spoken Word. Score. 27 pages. Published by Jorge F. P. Ramos (S0.579931).
Item Number: S0.579931
(2017) ...for classical orchestra and electronics
Premiered on the 17th of November 2017 at Conservatório de Música de Coimbra, Portugal.
Programme notes: Atoms, particles, samples, grains, etc. Depending on the point of view everything can be one, or be one of many. A ray of light is one, but composed of many particles. This is true not only with light, but with everything we know about this physical world. A sound is a set of small particles, our own body is made of cells, our own society is composed of people, etc. Scientists will probably disagree with me, but since I can only conclude that reality depends on our perception. A set of sound particles, are they a single sound or a cluster of small joints? I don't know, it depends, from that, I just mused all this thought.
Finalist for the 1st Francisco Martins Award 2017 by the Orquestra Clássica do Centro.
Text and voice by Júlia Durand.
Written in 2017 as part of the composition portfolio of my first year (1º) of master's degree at the Escola Superior de Música de Lisboa.
Notas de programa: Átomos, partículas, samples, grãos, etc. Dependendo do ponto de vista tudo pode ser um, ou ser um de muitos. Um raio de luz é um, mas composto por muitas partículas. Isto verifica-se não só com a luz, mas como com tudo o que conhecemos deste mundo físico. Um som é um conjunto de pequenas partículas, o nosso próprio corpo é feito de células, a nossa própria sociedade é composta por pessoas, etc. Provavelmente os cientistas discordarão de mim, mas visto isto só posso concluir que a realidade depende da nossa percepção. Um conjunto de partículas sonoras, são um só som ou um aglomerado de pequenas articulações? Não sei, depende, a partir disso limitei-me só a musicar todo este pensamento.
Obra finalista do 1º Prémio Francisco Martins 2017 pela Orquestra Clássica do Centro.
Texto e voz de Júlia Durand.
Escrita em 2017 como parte do meu portefólio de composição do meu primeiro (1º) ano de Mestrado em Música - Composição na Escola Superior de Música de Lisboa. www.jorgefpramos.com
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