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4280970
4280970
4280970

French Harpsichordists Volume 5: Works of Chambonnieres, Destouches, Duphly, Lalande, Lully, Marais, Rameau, and Royer

By [Collection] Chambonnieres, Jacques Champion, Sieur De (1602-1672) Destouches, Andre Cardinal (1672-1749) Duphly, Jacques (1715-1789) Lalande, Michel-Richard De (1657-1726) Lully, Jean Baptiste (1632-1687) Marais, Marin (1656-1728) Rameau, Jean Philippe (

https://www.sheetmusicplus.com/title/french-harpsichordists-volume-5-works-of-chambonnieres-destouches-duphly-lalande-lully-marais-rameau-and-royer-sheet-music/4280970?ac=1

Harpsichord (or Piano)
Composed by [Collection] Chambonnieres, Jacques Champion, Sieur De (1602-1672) Destouches, Andre Cardinal (1672-1749) Duphly, Jacques (1715-1789) Lalande, Michel-Richard De (1657-1726) Lully, Jean Baptiste (1632-1687) Marais, Marin (1656-1728) Rameau, Jean Philippe (. Original Works. Baroque, Rococco/Gallant, French. Score. Published by Masters Music Publications Inc. (MT.M1847-SC).

Item Number: MT.M1847-SC

Louis Diemer, Compiler/Editor, Charles-Camille Saint-saens, Vincent D'Indy, Paul Dukas, Felix Alexandre Guilmant, and Georges Eugene, Editors.

  • Les Clavcinistes Francais du XVIIIe Siecle [Livre 4] 
  • Les Clavecinistes Francais du XVIIIe Siecle [Livre 4] 
  • Ratings + Reviews

  • 4

    Melody T. Horner
    Location:
    Culver City, near Los Angeles, California
    Difficulty Level:
    Intermediate
  • 2007-11-14 00:00:00.0 Review of The French Harpsichordists

    Two beautiful pieces by Chambonnieres were Gaillarde and La Verdinguette. The editor rewrote some of the early French ornaments to make the music easier to read for pianists. The harpsichord style was preserved without piano pedal markings and Italian words. The Sarabande by Destouches was slow and gripping. The Passacaille...

    by Lalande possessed an engaging grand beginning and end. The Rondeau by Marais was wonderful. The pieces, Gavotte en Rondeau and Le Carnaval, by Lulli did not represent his excellence as a famous opera and ballet composer. The ones by La Villeroy and Duphly were challenging and delightful. Royer composed La Sensible, a four-page beautiful piece. I could take out this book to play for an audience, as it contains a variety of rhythms and styles, but I'll photocopy some of my favorites for performance, and keep the book free of markings so I can offer unmarked pieces to my harpsichord students.

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