• Concertino in E minor Op. 45 by Carl Maria von Weber Horn - Sheet Music

Concertino in E minor Op. 45 by Carl Maria von Weber Horn - Sheet Music

By Carl Maria von Weber

Multiphonics in the early 19th century? It is possible that Carl Maria von Weber truly did notate these multiple sounds for the first time in 1815 in the present Horn Concertino op. 45. The concert piece, whose form is designed totally freely, is regarded as one of the most demanding works for horn and orchestra of all. While the con fuoco passages following the slow introductory sections are of breakneck difficulty, the soloist later finds himself in the center of the work with the ,,cadenza in the form of a recitative at the end of which the famous (infamous?) multiphonic passages occur.

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Details

Summary
Instrument:
Horn Piano Accompaniment
Genres:
Classical Period Romantic Period
Composers:
Carl Maria von Weber
Publishers:
Breitkopf and Haertel
ISBN:
9790004161111
Format:
Reduction
Item types:
Physical
Musical forms:
Concerto
Artist:
Carl Maria von Weber
Usages:
School and Community
Size:
9 x 12 inches
Number of Pages:
20
Shipping Weight:
0.28 pounds
Detailed Description
Horn and piano (original scoring: hn,orch)

SKU: BR.EB-2509

Composed by Carl Maria von Weber. Edited by Henri Kling. Solo instruments; stapled. Edition Breitkopf. Solo concerto; Romantic. Piano reduction. 20 pages. Duration 11'. Breitkopf and Haertel #EB 2509. Published by Breitkopf and Haertel (BR.EB-2509).

ISBN 9790004161111. 9 x 12 inches.

Multiphonics in the early 19th century? It is possible that Carl Maria von Weber truly did notate these multiple sounds for the first time in 1815 in the present Horn Concertino op. 45. The concert piece, whose form is designed totally freely, is regarded as one of the most demanding works for horn and orchestra of all. While the con fuoco passages following the slow introductory sections are of breakneck difficulty, the soloist later finds himself in the center of the work with the ,,cadenza in the form of a recitative at the end of which the famous (infamous?) multiphonic passages occur.

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